Sara Bryans

Two Human Hymns comprises of settings for six-part choir and organ of two poems by 17th century English poets who are almost exact contemporaries; George Herbert and Henry King. The music for the choi...

All The Ends Of The Earth is a choral motet written for a Europe-wide radio broadcast on Millennium Day 1st January, 2000. It is based on Perotin's organum Viderunt Omnes. Scored for S. A. T. B. choru...

Three short choral settings of peoms by George Herbert, commissioned by The Spitalfields Festival in memory of Peter Lerwill, a generous supporter of the festival. The first performance of the set too...

This work was commissioned by the BBC. It was first performaed in 11 August 1995, as part of a Henry Wood Promenade Concert at teh Royal Albert Hall, London, by the BBC Symphony Orchestra and the BBC...

Stars, Night, Music And Light was commissioned by BBC Radio 3 and first performed at the BBC Proms on 15th July 2011. Vocal score. The performance was given to open the First Night of the Proms at th...

Stars, Night, Music and Light for chorus and orchestra was commissioned by BBC Radio 3 and first performed at the BBC Proms on 15th July 2011. The performance was given to open the First Night of the...

Commissioned by the Choir of King's College, Cambridge, to mark the centenary of 'A Festival of Nine Lessons and Carols'. First performance on 24th December 2018 at King's College Chapel, given by the...

A setting of the Marian hymn for mixed voices and organ, commissioned for Malcolm Munro and the Choir of St Mary the Virgin, Dover. The first performance was in 1 December 2019.

The Big Picture was written to celebrate the completion of a major redevelopment and refurbishment to Aberdeen Art Gallery. Wishing to examine a subject important, in different ways, to both the visua...

The Big Picture was written to celebrate the completion of a major redevelopment and refurbishment to Aberdeen Art Gallery. Wishing to examine a subject important, in different ways, to both the visua...

The Big Picture was written to celebrate the completion of a major redevelopment and refurbishment to Aberdeen Art Gallery. Wishing to examine a subject important, in different ways, to both the visua...

The Big Picture was written to celebrate the completion of a major redevelopment and refurbishment to Aberdeen Art Gallery. Wishing to examine a subject important, in different ways, to both the visua...

Scored for mixed voice choir SATB with organ accompaniment. Text by Hildebert of Lavardin (1056-1133), Bishop of Le Mans and Archbishop of Tours. Commissioned by the St Albans International Organ Fest...

Carol for SATB and organ, written for the choir of King's College, Cambridge.

Johann Ernst Eberlin (1702-1762) war über dreißig Jahre lang einer der wichtigsten Musiker des Salzburger Hofes. Zunächst Hoforganist, dann Hofkapellmeister, trug er zur Repertoireerneuerung, die sich...

I Broke Off A Golden Branch was commissioned and first performed by the Schubert Ensemble in 1992. The words 'I broke off a golden branch' come from a Croatian folksong, which is very obliquely referr...

Distance and Enchantment is a musical essay considering the strikingly common occurrence of people who disappear from home never to return. It takes the form of two meditations on traditional songs wh...

This work was commissioned by the Schubert Ensemble, and first performed by them on 5th July 1992 as part of the Cheltenham International Festival. The words 'I broke off a golden branch' come from a...

This work was written for Jane Manning and Roger Montgomery, who gave the first performance at the Glasgow Musica Nova Festival on 16th September 1990. It is a free transcription of the Aria Wer Bist...

Judith Weir's Storm, scored for Children's Chorus, Women's Chorus and ensemble (3 Flutes, 3 Cellos, 3 Percussion players). This work is based on the composer's 35 word version ofWilliamShakespeare's...

Score and Parts. Commissioned by the Chamber Music Society of Lincoln Centre. First performance 19 May 1998, Merkin Concert Hall, New York City. Quoting Weir: 'In my previous work, I have often enjoye...

Scored for Children's Chorus, Women's Chorus and ensemble. (3 Flutes, 3 Cellos, 3 Percussion players). A five movement piece based on the composer's 35 word version of William Shakespeare's 'The Tempe...

Judith Weir: My Piano Quartet (2000) is part of an extended series of works for piano and strings which I have written over the last twenty years - although I didn't know it was going to be a series w...

Work for Soprano, Clarinet, Viola and Harp. Premiered at the 2002 Cambridge Summer Music Festival. Work for Soprano, Clarinet, Viola and Harp. Premiered at the 2002 Cambridge Summer Music Festival. Th...