Sarah McLachlan

The aim of the present critical edition of the Concertos for flute by Saverio Mercadante is to give performers and scholars access, finally, to this important body of concertos, in a complete and cohe...

Without a great body of repertoire by the most famous composers, it is neat to know that this Romance is the only piece that Edward Elgar composed for a solo wind instrument with orchestra. Composed i...

Six vocal works arranged for alto flute and piano by Jeffrey Beyer, including: Ave Maria (Johann Sebastian Bach/Charles Gounod), A Chloris (Reynaldo Hahn), Apres un reve (Gabriel Faure), Pie Jesu (Gab...

Franz Strauss (1822-1905), the father of the composer Richard Strauss, played horn in the Bavarian Court Opera orchestra for more than 40 years and composed a number of repertoire pieces for the horn....

Franz von Vecsey (1893-1935) war ein ungarischer Geiger und Komponist, der trotz seines relativ kurzen Lebens in ganz Europa recht bekannt war. Vor allem das Violinkonzert von Jean Sibelius wurde ihm...

These six arias from Gioacchino Rossini's beloved opera 'The Barber of Seville' were first arranged for two bassoons in the 1820's by French bassoonist François-René Gebauer. During this time, Gebauer...

Georg Philipp Telemann's (1681-1767) Gulliver Suite, was composed only two years after the first publication of Jonathan Swift's Gulliver's Travels in 1726. In the suite, Telemann embraces Swift's sat...

Twelve Duets, K. 487, by Wolfgang Amadeus Mozart, arranged for C Flute and Alto Flute by Jeffrey Beyer. The Twelve Duets were originally composed for Horn by Mozart in 1786 in Vienna, Austria. Believe...

The second of his three ballets, Peter Ilyich Tchaikovsky finished the score for 'The Sleeping Beauty' in 1889 and it was premiered in St. Petersburg, Russia at the Imperial Mariinsky Theatre on Janua...

This contemporary suite is in two movements and is characteristic of Robert Washburn's work. Although moderate technique is needed, the piece is interesting for the performer. Listen to this one!

This contemporary suite is in two movements and is characteristic of Robert Washburn's work. Although moderate technique is needed, the piece is interesting for the performer. Listen to this one!

This contemporary suite is in two movements and is characteristic of Robert Washburn's work. Although moderate technique is needed, the piece is interesting for the performer. Listen to this one!

This suite has four movements: March, Waltz, Ballad, and Allegro. This is typical Washburn, and the contrast of the movements of the suite provides interest for performer and audience alike. Appealing...