Sebastian Schwaiger
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- Klavier, Gesang & Gitarre
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- Klavier, Gesang & Gitarre
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- Klavier, Gesang & Gitarre
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- Klavier, Gesang & Gitarre
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- Klavier, Gesang & Gitarre
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- Klavier, Gesang & Gitarre
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- Klavier, Gesang & Gitarre
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- Klavier, Gesang & Gitarre
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- Lead Sheet
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Easiest Piano Songbook: Classical Favourites was devised and arranged by Christopher Hussey. Easiest Piano Songbook: Classical Favourites is a collection of classical favourites, especially arranged f...
Easiest Piano Songbook: Classical Favourites was devised and arranged by Christopher Hussey. Easiest Piano Songbook: Classical Favourites is a collection of classical favourites, especially arranged f...
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Lieferzeit 3-6 Arbeitstage
The A Dozen A Day Songbook series contains wonderful easy hits that may be used as companion pieces to the memorable technique exercises in the A Dozen A Day series. They are also suitable as suppleme...
The A Dozen A Day Songbook series contains wonderful easy hits that may be used as companion pieces to the memorable technique exercises in the A Dozen A Day series. They are also suitable as suppleme...
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- Christopher Hussey Jeremy Birchall
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Lieferzeit 3-6 Arbeitstage
The A Dozen A Day Songbook series contains wonderful easy Christmas hits that may be used as companion pieces to the memorable technique exercises in the A Dozen A Day series. They are also suitable a...
The A Dozen A Day Songbook series contains wonderful easy Christmas hits that may be used as companion pieces to the memorable technique exercises in the A Dozen A Day series. They are also suitable a...
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Lieferzeit 3-6 Arbeitstage
Composed in 2009 for Emmanuel Ax, Thomas Adès’s Mazurkas listen to the Polish folk genre as it was listened to by Chopin, except that its rhythms and the heave of its shifting accents are now caught f...
Composed in 2009 for Emmanuel Ax, Thomas Adès’s Mazurkas listen to the Polish folk genre as it was listened to by Chopin, except that its rhythms and the heave of its shifting accents are now caught f...
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First performed by Imogen Cooper at the Cheltenham Festival, Thomas Adès’s Traced Overhead (1995-6) unfolds in three movements of progressively increasing length. The first, ‘Sursum’ (the Latin adverb...
First performed by Imogen Cooper at the Cheltenham Festival, Thomas Adès’s Traced Overhead (1995-6) unfolds in three movements of progressively increasing length. The first, ‘Sursum’ (the Latin adverb...
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Pianists looking for contemporary repertoire that showcases both dazzling virtuosity and musical insight should look no further than these short Études Nos. 1-3 by Julian Anderson. These three brillia...
Pianists looking for contemporary repertoire that showcases both dazzling virtuosity and musical insight should look no further than these short Études Nos. 1-3 by Julian Anderson. These three brillia...
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Thomas Adès, wrote this ingenious 9-minute piano work for himself to play at a 1993 Park Lane Group recital. Its title is an allusion to the John Dowland, whose ‘Semper Dowland semper dolens’ occasion...
Thomas Adès, wrote this ingenious 9-minute piano work for himself to play at a 1993 Park Lane Group recital. Its title is an allusion to the John Dowland, whose ‘Semper Dowland semper dolens’ occasion...
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Thomas Adès’s Darknesse Visible for piano solo (1992) is a 7-minute explosion of John Dowland’s lute song In Darknesse Let Me Dwell (1610). No notes have been added; indeed, some have been removed. Pa...
Thomas Adès’s Darknesse Visible for piano solo (1992) is a 7-minute explosion of John Dowland’s lute song In Darknesse Let Me Dwell (1610). No notes have been added; indeed, some have been removed. Pa...
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A paraphrase in the manner of Liszt or Busoni, this brilliant, quick-witted reworking of music from four scenes of Adès’s scandalous – and hugely successful – first opera Powder Her Face is a virtu...
A paraphrase in the manner of Liszt or Busoni, this brilliant, quick-witted reworking of music from four scenes of Adès’s scandalous – and hugely successful – first opera Powder Her Face is a virtu...
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Commissioned by Alexandre Devals and Mimi Durand Kurihara for Kirill Gerstein, this Berceuse for solo piano is a reworking of music from Act III scene iii of Adès’ 2016 opera. In one of the score’s ma...
Commissioned by Alexandre Devals and Mimi Durand Kurihara for Kirill Gerstein, this Berceuse for solo piano is a reworking of music from Act III scene iii of Adès’ 2016 opera. In one of the score’s ma...
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Old Bells, composed by Julian Anderson and edited by John Lenehan for easy Piano Solo and taken from Keynotes.
Old Bells, composed by Julian Anderson and edited by John Lenehan for easy Piano Solo and taken from Keynotes.
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The traditional work Loch Lomond arranged by Christopher Hussey for easy piano in digital sheet music format.
The traditional work Loch Lomond arranged by Christopher Hussey for easy piano in digital sheet music format.
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Steps, composed by Julian Anderson and edited by John Lenehan for easy Piano Solo and taken from Keynotes.
Steps, composed by Julian Anderson and edited by John Lenehan for easy Piano Solo and taken from Keynotes.
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Az ág (The Branch), composed by Thomas Adès, for Víkingur Ólafsson. Arranged for piano solo in digital sheet music format.
Az ág (The Branch), composed by Thomas Adès, for Víkingur Ólafsson. Arranged for piano solo in digital sheet music format.
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Swinging, composed and arranged by Marion Harewood and Fanny Waterman for piano solo in digital sheet music format.
Swinging, composed and arranged by Marion Harewood and Fanny Waterman for piano solo in digital sheet music format.
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