Tarik O'Regan

For SATB chorus, Clarinet in B flat, Percussion, Harp and String Orchestra. Commissioned by the Barlow Endowment for Music Composition at Brigham Young University, the Dale Warland Singers Commission...

That Music Always Round Me was commissioned by the Cali School of Music Commissioning Project for the Montclair State University Singers, conducted by Heather J. Buchanan to celebrate the opening of t...

For SATB chorus and Piano or Organ. Commissioned by the Genesis Foundation for The Sixteen and Harry Christophers.

Vocal score for Tarik O'Regan's Night City for double chorus (SSA + SATB) and percussion (2 players). Also available: NOV162404: Full scoreNOV162404-01: Percussion parts

This is the Vocal Score for the Violin, Cello and Voices version of Tarik O'Regan 's Death Is Gonna Lay His Cold Icy Hands On Me, for Double SATB Choir, Violin and Cello. The Violin and Cello parts ar...

The Windows was commissioned by Lincoln Cathedral to celebrate the unveiling of the restored Dean's Eye Window. The text is by George Herbert (1593 - 1633), one time Canon of Lincoln. It was premièred...

The Windows was commissioned by Lincoln Cathedral to celebrate the unveiling of the restored Dean's Eye Window. The text is by George Herbert (1593 - 1633), one time Canon of Lincoln. It was premièred...

Ecce Puer was first performed on 14 December 2012 at St Thomas' Cathedral, Portsmouth, by The Portsmouth Grammar School Chamber Choir, directed by Sam Gladstone with Oliver Hancock (organ). For SATB m...

Written for the Choir of Queen's College Cambridge, this setting of the Cantate Domino was composed to commemorate the restoration of the College chapel's historic 1892 Binns Organ. The work shares so...

The Dorchester Canticles were commissioned by the Bournemouth Sinfonietta Choir, with funds from Arts Council England. Received its première in St Mary's Church, Dorchester in a performance on 22nd Ma...

Jubilate Deo was commissioned by the Friends of Sheffield Cathedral for Neil Taylor and the Cathedral Choirs to celebrate the opening of the Cathedral's Community Resources Centre on 6th March 2007. T...

Written for SATB chorus, brass quintet and organ.

Jubilate Deo was commissioned by William and Elizabeth Bayne for the Friends of Cathedral Music, Cathedral of St John, Albuquerque New Mexico as part of the Cathedral Commissions series. First perform...

Israfel is an arranged excerpt from The Ecstasies Above. The latter was commissioned from the Robert Baker Commissioning Fund for Sacred Music by Yale Institute of Sacred Music, was premièred by Yale...

Setting a secular text by the sixteenth-century poet John Fletcher, this rich, sonorous piece bursts with invention and word-painting like a large-scale madrigal. The piece works equally well with or...

Tarik O'Regan's The Night's Untruth for SATB chorus, brass ensemble and organ is a co-commission celebrating the 10th anniversary of JAM (The John Armitage Memorial Trust) and the 40th anniversary of...

The Heart of Darkness was composed in 2011 by Tarik O'Regan. The Heart of Darkness had its first performance on the 1st November 2011 at the Royal Opera House Linbury Studio Theatre, London, by Opera...

Tarik O'Regan's The Wanton Sublime for Mezzo-Soprano and Ensemble. Duration: 30 minutes

The Vocal Score for Tarik O'Regan 's Blessed Are They. Commissioned in honour of Raymond and Elizabeth Chenault for their 38 years of service as Organists and Choirmasters of All Saints' Episcopal Chu...

Score and Part.

Tarik O'Regan's The Night's Untruth for SATB chorus, Brass ensemble and Organ is a co-commission celebrating the 10th anniversary of JAM (The John Armitage Memorial Trust) and the 40th anniversary of...

Tarik O'Regan's The Night's Untruth for SATB chorus, Brass ensemble and Organ is a co-commission celebrating the 10th anniversary of JAM (The John Armitage Memorial Trust) and the 40thanniversary of V...

Fragments from a Gradual Process was commissioned by ensemblebash. The work was premiered by the commissioners, with violinist Madeleine Mitchell, on 21 April 2005 in Turner Sims Concert Hall, Southam...

Fragments from a Gradual Process was commissioned by ensemblebash. The work was premiered by the commissioners, with violinist Madeleine Mitchell, on 21 April 2005 in Turner Sims Concert Hall, Southam...

Written for SSAA choir, with soloists, vibraphone and electric bass guitar.