The Destroyers

Russell Robinson has adapted one of Thomas Morley's most enduring madrigals for 3-part voices, just right for today's young and developing choirs. The new SSA arrangement sounds polished with treble v...

Frauenchor - SSAA Renaissance/Barock

S.A.B. and Piano

Bei Bestellung erhalten Sie eine ZIP-Datei, in der die PDF-Dateien (Partitur und Stimmen) enthalten sind. Die ZIP-Datei können Sie auf Ihrem Rechner mit einem handelsüblichen Programm entpacken.

Bei Bestellung erhalten Sie eine ZIP-Datei, in der die PDF-Dateien (Partitur und Stimmen) enthalten sind. Die ZIP-Datei können Sie auf Ihrem Rechner mit einem handelsüblichen Programm entpacken.

Russell Robinson has adapted one of Thomas Morley's most enduring madrigals for 3-part voices, just right for today's young and developing choirs. The new SSA arrangement sounds polished with treble v...

Fashioned after the 16th century Ballettos of Italy which featured the popular fal, la, la refrains. This is a worthy addition to the Choral Treasury series that John Leavitt has been curating and cou...

Fashioned after the 16th century Ballettos of Italy which featured the popular fal, la, la refrains. This is a worthy addition to the Choral Treasury series that John Leavitt has been curating and cou...

The traditional songs of Ireland have a haunting, emotionally charged atmospehere of their own, tinged as they are with a sense of heartfelt longing and loss. The three songs in this collection, Danny...

Nocturne Op. 71/1 for Mixed Choir SSAATTBB was composed by Poul Rovsing Olsen in 1971.

Three Chorale Preludes epitomizes the perfect teaching piece and performance work. Although based on familiar chorale melodies, the work is an original. Each prelude reflects contrasting tempi and tex...

This timeless march succeeds equally well as a processional or as a concert march. Development of the legato reeds and low brass is punctuated by powerful and brilliant brass tonalities. The combinati...

Numerous dynamic contrasts combined with unique woodwind contributions unite in this solid concert march. William Latham's 'Brighton Beach' concert march serves equally well as an outstanding recessio...

Metered and precise, this suite is in the style of instrumental dance music of the late 16th and early 17th centuries, the four movements are 'Intrada,' 'Pavan,' 'Galliard,' and 'The Horses Branle.'

A suite in the style of instrumental dance music of the late 16th and early 17th centuries, used at various European court festivals and other ceremonies, William Latham's Court Festival joins the rev...