Thomas Morley

Händels Passacaglia aus der Suite Nr. 7 in g-Moll wurde ursprünglich für Cembalo geschrieben und besteht aus einer Reihe von Variationen über eine sich wiederholende viertaktige harmonische Progressio...

Composed the same year as Dvorák's Slavonic Dances, the Serenade for Winds is also nationalistic in style, reflecting the melodic and rhythmic elements of traditional Czech folk music. This adaptation...

Composed the same year as Dvorák's Slavonic Dances, the Serenade for Winds is also nationalistic in style, reflecting the melodic and rhythmic elements of traditional Czech folk music. This adaptation...

Stimmig und rhythmisch sind die Slawischen Tänze von Dvorák, und das macht einen Teil ihres unmittelbaren Reizes aus. Diese Vertonung des Slawischen Tanzes Nr. 3 wechselt zwischen einem gemäßigten Tem...

The year 2020 marks the 250th anniversary of the birth of Ludwig van Beethoven. While the first movement of his famous fifth symphony is more often performed, the majestic and triumphant finale beauti...

Based on Purcell's Come, Ye Sons of Art, this carefully crafted arrangement for second year players features a nice variety in scoring and dynamic contrasts. Phrases are traded between the woodwind an...

Based on Purcell's Come, Ye Sons of Art, this carefully crafted arrangement for second year players features a nice variety in scoring and dynamic contrasts. Phrases are traded between the woodwind an...

Über diese gut gemachte und leicht zugängliche Bearbeitung des Klassikers Karneval der Tiere von Camille Saint-SaÙns werden sich sicherlich nicht nur Dirigenten von Jugendblasorchestern freuen. James...

Komponiert für Mstislav ('Slava') Rostropovich und das National Symphony Orchestra, erlebte diese aufregende und dennoch kurze Ouvertüre ihre Uraufführung im Jahr 1977. Die Konstruktion des Werkes bas...

Komponiert für Mstislav ('Slava') Rostropovich und das National Symphony Orchestra, erlebte diese aufregende und dennoch kurze Ouvertüre ihre Uraufführung im Jahr 1977. Die Konstruktion des Werkes bas...

Three Chorale Preludes epitomizes the perfect teaching piece and performance work. Although based on familiar chorale melodies, the work is an original. Each prelude reflects contrasting tempi and tex...

Three Chorale Preludes epitomizes the perfect teaching piece and performance work. Although based on familiar chorale melodies, the work is an original. Each prelude reflects contrasting tempi and tex...

This timeless march succeeds equally well as a processional or as a concert march. Development of the legato reeds and low brass is punctuated by powerful and brilliant brass tonalities. The combinati...

This timeless march succeeds equally well as a processional or as a concert march. Development of the legato reeds and low brass is punctuated by powerful and brilliant brass tonalities. The combinati...

This timeless march succeeds equally well as a processional or as a concert march. Development of the legato reeds and low brass is punctuated by powerful and brilliant brass tonalities. The combinati...

An uncommon and surprising combination: violin and wind orchestra. The arrangement of this work by Camille Saint-Sa?ns was commisioned by Harmonie Orpheus Tilburg and performed at the 1997 World Music...

An uncommon and surprising combination: violin and wind orchestra. The arrangement of this work by Camille Saint-Sa?ns was commisioned by Harmonie Orpheus Tilburg and performed at the 1997 World Music...

The prelude from Saint-SaÙns' Christmas oratorio, to which the composer himself added the note, 'in the style of Bach'. An extremely fitting opening to any Christmas concert. (Concert Band)

The Oratorio de NoÙl, opus 112 was composed in 1858 and is one of the four oratorios he wrote.It is scored for five soloists (soprano, mezzo-soprano, alto, tenor and baritone) four-part mixed choir, s...

The Oratorio de NoÙl, opus 112 was composed in 1858 and is one of the four oratorios he wrote.It is scored for five soloists (soprano, mezzo-soprano, alto, tenor and baritone) four-part mixed choir, s...

For the Danse Macabre, Saint-SaÙns turned to the 'Dance of the Death', which appears in various versions in the Art of the later Middle Ages. Saint-SaÙns evokes (using the xylophone) the midnight cavo...

For the Danse Macabre, Saint-SaÙns turned to the 'Dance of the Death', which appears in various versions in the Art of the later Middle Ages. Saint-SaÙns evokes (using the xylophone) the midnight cavo...

After the Armistice of Versailles was signed on 28 January 1871, the Paris Commune assumed power in Paris on 18 March. Fearing for his safety, Camille Saint-Saëns fled to exile in London. Under these...

After the Armistice of Versailles was signed on 28 January 1871, the Paris Commune assumed power in Paris on 18 March. Fearing for his safety, Camille Saint-Saëns fled to exile in London. Under these...