Tito Puente

Michael has reworked his popular big band version of this Latin classic to work in this format for little big band. Great groove and tight ensemble writing.

Michael has reworked his popular big band version of this Latin classic to work in this format for little big band. Great groove and tight ensemble writing.

Michael has reworked his popular big band version of this Latin classic to work in this format for little big band. Great groove and tight ensemble writing.

Michael has reworked his popular big band version of this Latin classic to work in this format for little big band. Great groove and tight ensemble writing.

Michael has reworked his popular big band version of this Latin classic to work in this format for little big band. Great groove and tight ensemble writing.

Michael has reworked his popular big band version of this Latin classic to work in this format for little big band. Great groove and tight ensemble writing.

Michael has reworked his popular big band version of this Latin classic to work in this format for little big band. Great groove and tight ensemble writing.

Michael has reworked his popular big band version of this Latin classic to work in this format for little big band. Great groove and tight ensemble writing.

Michael has reworked his popular big band version of this Latin classic to work in this format for little big band. Great groove and tight ensemble writing.

Michael has reworked his popular big band version of this Latin classic to work in this format for little big band. Great groove and tight ensemble writing.

Michael has reworked his popular big band version of this Latin classic to work in this format for little big band. Great groove and tight ensemble writing.

Michael has reworked his popular big band version of this Latin classic to work in this format for little big band. Great groove and tight ensemble writing.

Michael has reworked his popular big band version of this Latin classic to work in this format for little big band. Great groove and tight ensemble writing.

Michael has reworked his popular big band version of this Latin classic to work in this format for little big band. Great groove and tight ensemble writing.

Here is one of Tito Puente's best known Latin production numbers and, in the hands of Latin master Michael Philip Mossman, this chart sets up an infectious and authentic groove that just does not let...

Here is one of Tito Puente's best known Latin production numbers and, in the hands of Latin master Michael Philip Mossman, this chart sets up an infectious and authentic groove that just does not let...

Here is one of Tito Puente's best known Latin production numbers and, in the hands of Latin master Michael Philip Mossman, this chart sets up an infectious and authentic groove that just does not let...

Here is one of Tito Puente's best known Latin production numbers and, in the hands of Latin master Michael Philip Mossman, this chart sets up an infectious and authentic groove that just does not let...

Here is one of Tito Puente's best known Latin production numbers and, in the hands of Latin master Michael Philip Mossman, this chart sets up an infectious and authentic groove that just does not let...

Here is one of Tito Puente's best known Latin production numbers and, in the hands of Latin master Michael Philip Mossman, this chart sets up an infectious and authentic groove that just does not let...

Here is one of Tito Puente's best known Latin production numbers and, in the hands of Latin master Michael Philip Mossman, this chart sets up an infectious and authentic groove that just does not let...

Here is one of Tito Puente's best known Latin production numbers and, in the hands of Latin master Michael Philip Mossman, this chart sets up an infectious and authentic groove that just does not let...

Here is one of Tito Puente's best known Latin production numbers and, in the hands of Latin master Michael Philip Mossman, this chart sets up an infectious and authentic groove that just does not let...