Tomaso Giovanni Albinoni

Tommaso Albinoni (1671-1750) (Reihe: Bläser und Orgel. Heft 10) Für Trompete und Orgel. Hrsg. von Horst Wetzlar. Partitur mit Stimme

It is not often that previously unknown instrumental compositions by Albinoni (1671-1751) turn up, but Michael Talbot recently found two violin sonatas - one from the very start of his career and the...

Violine (2), Basso continuo - Spielpartitur; Stimmensatz

Bassposaune und Klavier

Horváth, Balázs, arr.

Quintette für 2 Trompeten, Horn, Posaune und Tuba

The poetic theme of the cantata is the well-worn one of unrequited love. In the opening aria, the singer challenges the God of Love to battle. This is a true aria di battaglia in which the singer mimi...

This cantata, from an important manuscript in Berlin containing 18 Albinoni cantatas for soprano and continuo, is distinguished not only by its music, which is exceptionally finely wrought and ends wi...

This cantata, from an important manuscript in Berlin containing 18 Albinoni cantatas for soprano and continuo, is in effect a praise-song addressed to Isabella Tarquinia Ottoboni, aunt of Cardinal Pie...

This cantata, from an important manuscript in Berlin containing 18 Albinoni cantatas for soprano and continuo, is on the subject of the lover's separation from his (or it could be her) beloved, one of...

This cantata, from an important manuscript in Berlin containing 18 Albinoni cantatas for soprano and continuo, is on the subject of the parting of lovers. Dalinda, forced to part from Tirsi, vows fide...

This cantata, from an important manuscript in Berlin containing 18 Albinoni cantatas for soprano and continuo, is on the ever-popular subject of the separation of lovers. It records the departure of I...

This cantata, from an important manuscript in Berlin containing 18 Albinoni cantatas for soprano and continuo, belongs in spirit to the subgenre known as the lezione amorosa, or 'lesson in love'. The...