Uwe Krause-Lehnitz

Work dating from 1948. Woodwind Quintet. Score available: GS23700

For 3 equal C or Bb intruments.

Hinweis des Komponisten: Mehrere Jahre dacht ich darüber nach ein Stück zu schreiben, welches auf dem Klang von Zupfinstrumenten wie Mandoline, Gitarre und Harfe basiert. Als mich das niederländische...

For Soprano and Chamber Orchestra. Six poems by Elizabeth Bishop.

For 4 clarinets.

Composed in 1974 and commissioned by the McKim Fund in the Library of Congress, Duo was first performed by Paul Zukofsky and Gilbert Kalish on March 21, 1975. It reflects the contrast between the soun...

Work for Orchestra composed in 1944 and revised in 1961.

From the Mingus Big Band CD Blues and Politics!, this intense minor blues opens with a bass solo then gradually unfolds layer by layer until the entire ensemble is screaming. Includes plenty of solo s...

This classic Mingus composition is meant to be performed with a sense of an 'anger' or sarcasm, and definitely projects an edginess. The baritone sax and bass bone will have fun with the opening and t...

Mingus loved the blues, and this powerful and highly energized arrangement from the CD Live In Time is a staple in the book of the Mingus Big Band. It features the signature bass line scored for the l...

One of the most engaging and lighthearted of all Mingus' compositions, this was originally meant to provide a musical bridge from Jelly Roll Morton to Mingus' own unique compositional voice. Here is a...

One of the most engaging and lighthearted of all Mingus' compositions, this was originally meant to provide a musical bridge from Jelly Roll Morton to Mingus' own unique compositional voice. Here is a...

This classic Mingus composition is meant to be performed with a sense of an 'anger' or sarcasm, and definitely projects an edginess. The baritone sax and bass bone will have fun with the opening and t...

Titled in honor of Charles Mingus' good friend and mentor Oscar Pettiford, this swing chart opens with the two tenors, followed by all the saxes, and finally the entire ensemble. Whether you play this...

Written in a medium-tempo, swing style, the saxes take the lead in the beginning answered by screaming brass figures. Soprano sax and a solo trombone engage in an ongoing bluesy dialogue interspersed...

Written in a medium-tempo, swing style, the saxes take the lead in the beginning answered by screaming brass figures. Soprano sax and a solo trombone engage in an ongoing bluesy dialogue interspersed...

Written in a medium-tempo, swing style, the saxes take the lead in the beginning answered by screaming brass figures. Soprano sax and a solo trombone engage in an ongoing bluesy dialogue interspersed...

Titled in honor of Charles Mingus' good friend and mentor Oscar Pettiford, this swing chart opens with the two tenors, followed by all the saxes, and finally the entire ensemble. Whether you play this...

One of the most engaging and lighthearted of all Mingus' compositions, this was originally meant to provide a musical bridge from Jelly Roll Morton to Mingus' own unique compositional voice. Here is a...

Epigrams' ist Elliott Carter's letztes Werk, das er zwischen Frühjahr und Sommer 2012 im Alter von 103 Jahren komponiert hat. Diese Ausgabe enthlat im Anhang detaillierte Hinweise zur Edition.

Parts only for: 2 violins, viola and cello.

String Quartet No. 3 was commissioned in 1971 by the Julliard School for the Julliard String Quartet. It subdivides the ensemble into two duos, which play contrasting movements both individually and a...

The years from 1935 to 1950 were difficult ones for Elliot Carter. Wide recognition came only in 1951, when he was forty-three, with this work The First String Quartet. This work features diversified...

This piece was commissioned by the Stanley String Quartet in 1958 and completed in 1959. It was awarded the Pulitzer prize in 1960. Scored for 2 Violins, Viola, Cello.