Uwe Sieblitz

Well-suited for honor choirs and collegiate use, this excellent edition for SSA double choir will be a stunning addition to your classic repertoire. Extremely effective!

Well-suited for honor choirs and collegiate use, this excellent edition for SSA double choir will be a stunning addition to your classic repertoire. Extremely effective!

Originally conceived as a funeral piece, this moving motet is full of elegant, unhurried lines, and pays final respect to the deceased. Originally published in AStanford Anthology.

Here is Sir Charles Villiers Stanford's famous meditative setting of a poem by Mary Elizabeth Coleridge. The editor has provided several options to make it more accessible to more choirs without losin...

Here is Sir Charles Villiers Stanford's famous meditative setting of a poem by Mary Elizabeth Coleridge. The editor has provided several options to make it more accessible to more choirs without losin...

This beautiful anthem was a winner of the London A Cappella Festival Composition Competition 2012. A sensitive setting of a text by Thomas Campion, it features word-painting, a rich use of harmony, fl...

For SATB unaccompanied. This joyful setting of an old Irish air, arranged by Sir Charles Villiers Stanford and edited by John Rutter, features a text by Thomas Moore on life's fleeting pleasures. A re...

Alan Smith's setting of the Latin hymn at Lauds for The Feast of Transfiguration is stately and solemn. Featuring imitative entries that open out into rich, expansive textures at climactic moments, th...

This joyful setting of an old Irish air, arranged by Sir Charles Villiers Stanford and edited by John Rutter, features a text by Thomas Moore on life's fleeting pleasures. A recording can be found on...

Two of Stanford's finest partsongs for unaccompanied SATB voices.

The second of Stanford's Three English Motets Op. 135, this extended anthem boasts both impressive emotional range and textural ingenuity. Originally published in A Stanford Anthology.

A powerful commemoration motet for double choir with bold tonal and textural shifts, framed by outer sections in a deliberate archaic style. Originally published in AStanford Anthology.

Eine Sammlung von drei lateinischen Motetten: "Justorum animae", "Coelos ascendit hodie" und "Beati quorum via". Ursprünglich veröffentlicht in A Stanford Anthology.