W. Robert

Put on your poodle skirts and dancin' shoes for a rockin' good time with this blast from the past. Jeff Funk does 50s like no one else and he has made this arrangement no exception. The lyrics are fun...

The driving swing style and the romantic lyric of this Duke Ellington tune have made it a classic. It's been recorded by the likes of Ella Fitzgerald, The Ink Spots, Harry James, and many more. Add th...

The driving swing style and the romantic lyric of this Duke Ellington tune have made it a classic. It's been recorded by the likes of Ella Fitzgerald, The Ink Spots, Harry James, and many more. Add th...

An entertaining pizzicato piece that is totally cool! Lots of easy syncopation and it includes optional snare drum and piano parts. Fun for the whole group!

McGlade's tender piece is full or arching phrases that swell and fade with the emotion of Rosetti's text. The carefully crafted cello part interacts with and responds to the choir without ever losing...

McGlade's setting of 'The Call' by George Herbert is simple but effective, reflecting the directness of the original poem. The three-bar phrases create a feeling of expectancy throughout the verses, a...

In this haunting arrangement of the well-known carol, Higgins creates a mystical soundscape by layering a single motif in a four-part soprano canon. These repetitions echo throughout and support the v...

With a text by Thomas Campion, View me, Lord is a tender prayer characterized by its sensitive text-setting. Each verse features a change in voicing, rhythm, and harmony, while the ever-changing metre...

With a text by Thomas Campion, View me, Lord is a tender prayer characterized by its sensitive text-setting. Each verse features a change in voicing, rhythm, and harmony, while the ever-changing metre...

This setting of A spotless Rose reflects the wintry starkness of the fifteenth-century text through its minor key and bare upper-voice opening, while the warmth of the full voicing on the words 'light...

In this haunting arrangement of the well-known carol, Higgins creates a mystical soundscape by layering a single motif in a four-part soprano canon. These repetitions echo throughout and support the v...

This setting of A Spotless Rose reflects the wintry starkness of the fifteenth-century text through its minor key and bare upper-voice opening, while the warmth of the full voicing on the words 'light...

McGlade's setting of 'The Call' by George Herbert is simple but effective, reflecting the directness of the original poem. The three-bar phrases create a feeling of expectancy throughout the verses, a...

This is a beautiful and dynamic setting of well-known words from the Song of Songs (or Song of Soloman). With a soaring soprano melody, McGlade's fluid vocal lines drive harmonic twists within an imme...

This is a beautiful and dynamic setting of well-known words from the Song of Songs (or Song of Soloman). With a soaring soprano melody, McGlade's fluid vocal lines drive harmonic twists within an imme...

My song is love unknown is an expressive and fluid setting of the well-known Lenten text by Samuel Crossman. McGlade highlights the phrase 'take frail flesh and die' with a sighing musical motif, befo...

My song is love unknown is an expressive and fluid setting of the well-known Lenten text by Samuel Crossman. McGlade highlights the phrase 'take frail flesh and die' with a sighing musical motif, befo...

Scored especially for ATB to meet social distancing requirements, this piece has both special resonance and practical application in these uncertain times. McGlade's characteristic unaccompanied style...

This setting of Edward Caswall's well-known text shows all the hallmarks of McGlade's characteristic style, with changing time signatures, beguiling chromaticisms, and a beautiful, fluid melody. Chang...

One of McGlade's longer settings, As the hart begins simply, before expanding into a more complex central section with fluctuating time signatures and shifting tonalities. Ideal for advanced mixed-voi...

Setting Revelation 21: 1-5, this short anthem is in McGlade's typically fluid style, with harmonic twists, changing metres, and tempo fluctuations. With some divisi in the upper parts, it will be part...

In this sensitive choral arrangement of 'Nimrod' from Elgar's Enigma Variations, Michael Higgins sets the Eucharistic hymn 'O salutaris Hostia', written by St Thomas Aquinas for the Feast of Corpus Ch...

Becky McGlade has set this well-known Christmas hymn with textures both rich and restrained. The original English language hymn was based on a 19th-century English translation of Prudentius's 4th-cent...

Eine kontemplative und ergreifende Vertonung der beiden ersten Verse aus Psalm 91 ('Wer im Schutz des Höchsten wohnt'), die von Gottes Schutz für diejenigen berichtet, die ihm folgen. Geschrieben wurd...