William T. Robinson

This setting of a 17th century anonymous text that describes a woman's love leaving her and her insistence that he will return, is written for SA chorus with either a flute/recorder and guitar accompa...

Diese Vertonung eines Textes von D. Dinand ist für SA-Chor mit Klavierbegleitung.

Written for SSA choir with flute and 2 clarinets as accompaniment. Instrumentalists play from choral part.

An arrangement for SSA choir of text by James Boulton to an old Welsh air.

An arrangement for SSA choir of text by W. Douglas (after "To Celia" by Ben Jonson) to an old English air.

This beautiful classic from Stevie Wonder is here set in our Concert Pop Series. Full choral writing, flexibility in tempo, wonderful pop stylings and a concert climax make this another great addition...

This beautiful classic from Stevie Wonder is here set in our Concert Pop Series. Full choral writing, flexibility in tempo, wonderful pop stylings and a concert climax make this another great addition...

I can live my life on earth contented to the end, if but a few shall ... call me friend.' 'Success,' by 'people's poet' Edgar Guest is paired with a few lines from Shakespeare's 'Sonnet 50' to create...

I can live my life on earth contented to the end, if but a few shall ... call me friend.' 'Success,' by 'people's poet' Edgar Guest is paired with a few lines from Shakespeare's 'Sonnet 50' to create...

I can live my life on earth contented to the end, if but a few shall ... call me friend.' 'Success,' by 'people's poet' Edgar Guest is paired with a few lines from Shakespeare's 'Sonnet 50' to create...

Featuring text by William Shakespeare and references to Thomas Morley's madrigal 'Now is the Month of Maying,' this playful contemporary choral celebrates young love with sparkling vocal counterpoint....

Featuring text by William Shakespeare and references to Thomas Morley's madrigal 'Now is the Month of Maying,' this playful contemporary choral celebrates young love with sparkling vocal counterpoint....

Here's an accompanied contemporary madrigal with a lighthearted lilt, guaranteed to bring a smile. This sprightly setting capitalizes on the energy of Shakespeare's witty words from As You Like It. Re...

Here's an accompanied contemporary madrigal with a lighthearted lilt, guaranteed to bring a smile. This sprightly setting capitalizes on the energy of Shakespeare's witty words from As You Like It. Re...

Here's an accompanied contemporary madrigal with a lighthearted lilt, guaranteed to bring a smile. This sprightly setting capitalizes on the energy of Shakespeare's witty words from As You Like It. Re...

Here's an accompanied contemporary madrigal with a lighthearted lilt, guaranteed to bring a smile. This sprightly setting capitalizes on the energy of Shakespeare's witty words from As You Like It. Re...

Adoratio de parte altera Cantici Canticorum Solomonis (Adoration from the Second Book of the Song of Solomon) is written for 21 voices a capella (6 Sopranos, 5 Altos, 5 Tenors, 5 Basses [or larger Cho...

Written for SATB chorus with organ and electronic piano. Commissioned by and dedicated to the Music Department of Public Schools, Fond du Lac, Wisconsin. Choral score.

Written for SATB chorus, a capella.

Written for SATB chorus with organ and electronic piano. Commissioned by and dedicated to the Music Department of Public Schools, Fond du Lac, Wisconsin. Conductor score and accompaniment part.