Zachary J. Friedland

Promenade (for Flute and Piano) by Eugene Magalif grew out of piano exercises written by the composer to develop his grandchildren's ability to play light jazz and easy improvisation.

Promenade (for Flute and Piano) by Eugene Magalif grew out of piano exercises written by the composer to develop his grandchildren's ability to play light jazz and easy improvisation.

Ideal for younger treble choirs, this piece compels the listener to learn from the firefly how to live in the moment with joy. Fun, creative suggestions to imitate the firefly are included using flash...

K. 9 - K. 432 - K. 466 - K. 159

Diese Originalkomposition für Klavier solo umfasst vier Sätze, wobei jeder Satz eine der vier Jahreszeiten darstellt: I. Herbst, II. Winter, III. Frühling, IV. Sommer.

Vor 200 Jahren bat Anton Diabelli 50 Komponisten über ein von ihm verfasstes Walzerthema je eine Variation zu schreiben - keine einzige Komponistin war unter den Tonsetzern. 1824 erschien dann der Sam...

for Bassoon and Piano. An original work featuring a melodic, reflective first movement paired with an energetic, jazzy second movement. Perfect for recital programs.

This paraphrase on Xenia for two flutes and piano is based on the melody of a song by Vladimir Budnik, a Belarusian composer who died early. The melody is very close to Belarusian folk song and is dis...

Dieses bezaubernde Stück für Flöte oder Piccoloflöte und Klavier funktioniert eher wie eine Konversation zwischen dem Blasinstrument und dem Klavier, wobei das Klavier vieles von dem wiedergibt, was v...

To 'vamp' means to improvise on or repeat musical material for an indeterminate length of time. 'Revamper' describes one who does this over and over. Various extended techniques, such as singing while...

A familiar work by Camille Saint-Saens cleverly arranged by Angeleita Floyd. An excellent addition to the flute choir repertoire. Instrumentation: Piccolo: Divisi for 2 players, Flute 1: Divisi for 3...

Designed as a show piece, this fun work alternates between characteristic Charleston rhythms and a light jazz feeling. Instrumentation: Solo Flute, 4 C Flutes, Alto Flute (optional for Flute 4), Strin...

Dance of the Night'is a thrilling original work that makes sure no player is left out of the excitement. It's both joyful and mysterious. Instrumentation: Piccolo, 5 C Flutes

A playful romp based on DeLaney's original version for Flute and Piano.

Fantomas for Flute Choir by Eugene Magalif is based on a theme and sequence of chords which the composer and a friend sometimes played as kids: 'This funny and mysterious theme was easy to play on pia...

Dr. Emerson Eads's particularly lush, contemporary tonal language brings the flute choir to life in the three movements of his tone poem Summer Tern. The three movements - Summer Tern, Season's Tern,...

When I am Laid in Earth, Dido's Lament from 'Dido and Aeneas' by Henry Purcell, arranged for Low Flute Choir by Cathi Marro. The work is built on a ‘ground' (or ‘ground bass'), which is phrase in the...

This fantasy on themes from Hungarian composer Imre Kalman's operetta 'Die Csardasfurstin' was composed in 2018 by Eugene Magalif. It features a variety of themes from the opera, colorfully intertwini...

An arrangement of the Cat Duet (Duetto buffo di due gatti) by Gioacchino Rossini for two cats (sopranos) and string quartet (or orchestra) by Thais Janssen. A popular performance piece, it is typicall...

The Klezmer Suite evolved out of the composer's fifteen plus years of touring and recording with the Casco Bay Tummlers' klezmer band. Written in four movements, this suite includes many Klezmer techn...

for Flute and Harp. Originally from sonatas in which the keyboard instrument was the leading voice with the flute or violin playing an accompanying role, this arrangement shares the melodic material e...

Eugene Magalif's 'Aria' was originally written for the musical 'The Wild Hunt', however the project was canceled. On the advice of fellow flutists, 'Aria' was arranged for the flute, and has already b...