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Es ist Zeit, die coole Schule zu besuchen! Les Hooper hält es locker und entspannt für einen intimen Big-Band-Sound in diesem großartigen Arrangement mit ausgeschriebenen oder Ad-lib-Soli für Alt 1 un...

Es ist Zeit, die coole Schule zu besuchen! Les Hooper hält es locker und entspannt für einen intimen Big-Band-Sound in diesem großartigen Arrangement mit ausgeschriebenen oder Ad-lib-Soli für Alt 1 un...

Dieses Werk enthält die Originalnoten zum Titel "Biene Maja" in C-Dur für zwei Blockflöten. Besonders leicht und übersichtlich für Kinder gesetzt.

Abracadabra, composed by Ruth Byrchmore and arranged for alto saxophone with piano accompaniment. Taken from FingerPrints, 14 easy contemporary pieces for alto saxophone and piano.

Rock, composed by Ruth Byrchmore for alto saxophone with piano accompaniment. Taken from the Unbeaten Tracks series edited by Andy Hampton, 7 intermediate contemporary pieces for alto saxophone and pi...

Ruth Byrchmore - NYPD TV, for Cello Solo. Taken from Finger Prints, 14 easy contemporary pieces for cello and piano.

Ruth Byrchmore - The Procession, for trumpet with piano accompaniment.Taken from Finger Prints, 14 easy contemporary pieces for trumpet and piano.

Winner of the Liturgical Category in the 2005 British Composer Awards, presented by the British Academy of Composers and Songwriters in association with BBC Radio 3.

This folk song from the Channel Islands is for high school and beyond. Its tongue-in-cheek story requires an energetic choir. The French text is repetitive and easy to learn. An English text line is p...

For women's groups, this Croatian song, with its lovely poem about the Good Shepherd being our eternal starlight, is set to a distinctive, strong musical theme. The expressive dynamics in the choral l...

This exciting work for more advanced choirs depicts how the earth welcomes the life-giving rain. The text alternates in Swahili and English. Building rhythms and percussion propels the choir to a jubi...

This new setting of the enthusiastically received three-part version is based on the same peaceful but yet haunting Native Indian theme, fused with one of our most beloved songs. Accessible for choirs...

For SATB chorus and Organ. Commissioned by the Genesis Foundation, for Harry Christophers and The Sixteen. First performed in June 2011 by The Sixteen, conducted by Harry Christophers.