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The twelve 'Cambridge' sonatas, presented to Cardinal Ottoboni, represent the 'late', galant Bitti, full of lovingly sculpted ornamental detail for the violin but with the same resourceful harmony and...

The twelve 'Cambridge' sonatas, presented to Cardinal Ottoboni, represent the 'late', galant Bitti, full of lovingly sculpted ornamental detail for the violin but with the same resourceful harmony and...

The twelve 'Cambridge' sonatas, presented to Cardinal Ottoboni, represent the 'late', galant Bitti, full of lovingly sculpted ornamental detail for the violin but with the same resourceful harmony and...

The eleventh sonata, in five movements, is one of the most elaborate in the set. Its first movement (A tempo giusto) is very ornate and makes attractive use of syncopation. The second movement (Vivace...

The twelfth sonata, in four movements, makes a fitting climax to the set. Its first movement (Vivace) is somewhat corrente-like, with delicately traced passage-work. The Andante that follows is distin...

The present work consists of four movements in the tempo-sequence slow - fast - slow - fast: the 'classic' structure associated especially with Corelli. The slow movements are lyrical, the fast moveme...

This four movement sonata exemplifies Albicastro's mastery of the Corellian style.

Eberl's Sonata in D major, Op.20, the sixth of seven sonatas with violin, was composed around 1803 and dedicated to Dorothea Ertmann, the highly regarded pianist who many have suggested as Beethoven's...

Only a handful of Schreivogel's compositions for his instrument have survived. Among them is this sparkling three-movement sonata for violin and continuo in E flat major, evidently composed late in hi...

It is one of numerous concertos by Vivaldi known to have been played by Anna Maria, the most celebrated of the many remarkable performers produced by the Ospedale della Pieta, the Venetian charitable...

These 50 variations are based on a Gavotte by Arcangelo Corelli. Each variation is a small etude developing an important element of violin technique.