Noten von Alfred Publishing

Much repetition and a catchy makes this 7/8 number deceptively easy to learn. Opens with eight measures in 7/8, then a smooth, homophonic andante section in 4/4, followed by a repeat of the opening 7/...

Feature your men with this sumptuous edition of an a cappella standard from the madrigal repertoire by Thomas Morley. Formerly available for 3-part mixed voices, Russell Robinson's new TBB adaptation...

Feature your men with this sumptuous edition of an a cappella standard from the madrigal repertoire by Thomas Morley. Formerly available for 3-part mixed voices, Russell Robinson's new TBB adaptation...

A finely crafted edition of the classic English madrigal. The editing and easy-to-read open score are right on target for today's choirs. Fluid contrapuntal sections contrast with full sounding homoph...

A finely crafted edition of the classic English madrigal. The editing and easy-to-read open score are right on target for today's choirs. Fluid contrapuntal sections contrast with full sounding homoph...

Straightforward, homophonic vocal writing is the highlight of this fullsounding yet simple Christmas work. It's in the style of a madrigal, and may be performed with or without piano.

Straightforward, homophonic vocal writing is the highlight of this fullsounding yet simple Christmas work. It's in the style of a madrigal, and may be performed with or without piano.

This may be the most exciting Christmas sprirtual Jay Althouse has ever written. It opens with the basses asking, in a hushed, rhythmic melody, 'Who's that baby in a manger bed?' The text is classic s...

Mark Hayes' newest spirital arrangement is in the classic, time-honored choral style, with full, a cappella scoring throughout. Powerful sectional writing often contrasts the men with the women, and s...

Mark Hayes' newest spirital arrangement is in the classic, time-honored choral style, with full, a cappella scoring throughout. Powerful sectional writing often contrasts the men with the women, and s...

Sally Albrecht has created this swinging, original spiritual in editions for SATB and SSAB for mixed groups of all ages. The basses open with the rhythmic melody and the other voices join in turn. Inc...

Sally Albrecht has created this swinging, original spiritual in editions for SATB and SSAB for mixed groups of all ages. The basses open with the rhythmic melody and the other voices join in turn. Inc...

Russell Robinson has adapted one of Thomas Morley's most enduring madrigals for 3-part voices, just right for today's young and developing choirs. The male part has a limited, 5-note range. . . great...

Russell Robinson has adapted one of Thomas Morley's most enduring madrigals for 3-part voices, just right for today's young and developing choirs. The male part has a limited, 5-note range. . . great...

Two texts, one general and the other for Christmas, make this joyous work ideal for year round concerts, festivals, and adjudications. The open 5ths introduced by the treble voices are echoed by the m...

Two texts, one general and the other for Christmas, make this joyous work ideal for year round concerts, festivals, and adjudications. The open 5ths introduced by the treble voices are echoed by the m...

A 'fa la la' section in this joyful number makes it appropriate for both Christmas and general use. It's a fine learning piece in the madrigal style, yet the singable melodies make the independent voc...

A 'fa la la' section in this joyful number makes it appropriate for both Christmas and general use. It's a fine learning piece in the madrigal style, yet the singable melodies make the independent voc...

New for SSA and SATB! Russell Robinson has now adapted this widely performed madrigal for treble and SATB choirs. It's superbly reduced to preserve the harmonic and melodic structure of the original 5...

New for SSA and SATB! Russell Robinson has now adapted this widely performed madrigal for treble and SATB choirs. It's superbly reduced to preserve the harmonic and melodic structure of the original 5...

Although this work is sometimes referred to as a madrigal, it's really in the French chanson style: a polyphonic song popular in the fifteenth and sixteenth centuries. The subject, typical of a chanso...

Although this work is sometimes referred to as a madrigal, it's really in the French chanson style: a polyphonic song popular in the fifteenth and sixteenth centuries. The subject, typical of a chanso...

Yes, there are other arrangements of this lively Spanish carol, but none so perfectly crafted for 3-part mixed groups. That's what makes a Donnelly/Strid arrangement special: an attention to the stren...

Yes, there are other arrangements of this lively Spanish carol, but none so perfectly crafted for 3-part mixed groups. That's what makes a Donnelly/Strid arrangement special: an attention to the stren...

This trio of fresh, new, madrigals from Jay Althouse is a valuable addition to the choral repertoire of 3-part and SSA choirs. And at 1.75, it's quite a value. The first is in a traditional madrigal s...