Alry Publications

Six selections of traditional Chinese folk songs for solo flute and piccolo. Selections include: Purple Bamboo Melody Little Cow Herder Visiting Gu Xu New Melody of Herdsman Five Beats Whipping Horses...

for Piccolo Solo. Inky, Dinky, Piccolo is a theater piece as well as a piccolo etude. Definitely an opportunity to show off and have fun! Icky, Picky, Piccolo is a set of variations based on the World...

David Loeb's new collection Fantasias on Eurasian Melodies, for piccolo alone, gathers together his Balinese Fantasies, Tibetan Fantasias, and Preludes on Eurasian materials for a thorough tour throug...

David Loeb's Japanese Tone Poems for piccolo alone collects particularly evocative Japanese works from his ouevre - Nightcolors (P-15), Piccolo Perspectives (P-21), and Snowsounds (P-24), unique in th...

David Loeb presents the collection Japanese Landscapes and Legends for piccolo alone, an aggregation of previously stand-alone works - the Four Japanese Legends (P-12), Scenes from the Japanese Countr...

There are various traditions of performing on high pipes throughout the world. By thinking of the piccolo as the modern instrument repository for these traditions and this music, in the same sense tha...

This collection of pieces by David Loeb, written for piccolo alone, derive from melodies of the Sephardic tradition, an oral tradition remarkably well preserved despite dispersion and fragmentation of...

During his long military career with the Scottish Royal Highlanders, Gen. John Reid (1721-1807) had numerous occasions to exercise his talents as a flutist and composer. Each solo is in three movement...

Originally written for father Bach children to play on the family pedal harpsichord, these sonatas found their way into the organist's repertoire and became known as the Organ Trio Sonatas. Transcribe...

Originally written for father Bach's children to play on the family pedal harpsichord, these sonatas found their way into the organist's repertoire and became known as the Organ Trio Sonatas. Transcri...

Originally written for father Bach's children to play on the family pedal harpsichord, these sonatas found their way into the organist's repertoire and became known as the Organ Trio Sonatas. Transcri...

In contrast with other versions of this work, this edition strikes a more balanced contrapuntal sound between the modern flute and the obbligato keyboard. Though originally attributed to J.S. Bach, it...

A flamboyant set of early 19th century variations with introduction (Fantaisie in G Major on a theme from La Cenerentola by Rossini), edited from an original period publication.

Three songs (Abendlandschaft (Evening Landscape); Desert Sunrise; Seaside Lament) based on poems by family and friends of the composer.

A collection of three rhapsodic fantasies (Aegina; Yskola; Yong) composed over a 20-year period.

The first volume of this 3-volume set by German flutist, violinist, and composer Kleinknecht (1722-1794) presents the flute's emerging 'classical' style, but retains the traditional practice of figure...

The second volume of this 3-volume set by German flutist, violinist, and composer Kleinknecht (1722-1794). This edition features a figured bass realization by Dr. James L. Bailey. Volume II: No. 3 in...

The third volume of this 3-volume set by German flutist, violinist, and composer Kleinknecht (1722-1794). Kleinknecht came from a large family of musicians from Ulm, Germany. Trio Sonata No. 6, the la...

for Flute and Piano. Originally for horn and piano, this delightful short piece would make a wonderful encore.

for Flute and Piano. Originally for violin and piano and transcribed in the 19th century by Louis Drouet, this edition retains both Kuhlau's dramatic spirit and Drouet's attempts to highlight the char...

for Flute and Piano. Presented here in three volumes, Kuhlau originally composed the entire set for violin and piano. Louis Drouet's transcriptions for flute and piano were believed to have been publi...

for Flute and Piano. The second volume in this three-volume series continues the editor's wish to preserve Kuhlau's spirit, yet acknowledge the indigenous character of the flute.

for Flute and Piano. Originally in C Major, this third sonata of the three-volume series has been transposed to F Major to suit the flute better without creating problems for the piano.

Though originally composed for flute and violin, this duet is most often performed today by two flutes. It is interesting to note Bach's juxtapositioning of the first movement in E minor with the last...

Originally a violin and piano sonata, this work suits the flute beautifully. In several instances the editor has exchanged the flute part with the right hand of the piano for a more idiomatic result.