Alry Publications

for Flute, Clarinet and Harp. The title Chansonnier is a French word which refers to any collection of medieval manuscripts containing songs of troubadours. The titles of the movements are derived fro...

Eugene Magalif's 'Aria' was originally written for the musical 'The Wild Hunt', however the project was canceled. On the advice of fellow flutists, 'Aria' was arranged for the flute, and has already b...

Louis deLise's Salone del Astor for Flute and Vibraphone was written for flutist Joan Sparks and premiered at the 2018 National Flute Association convention in Orlando, Florida. The movements of Salon...

Gaspard Kummer's Quintet Op.66 has finally received the attention it deserves! Editor Janice Dockendorff Boland has painstakingly researched and restored this piece, based on the facsimile edition in...

in Shadow, light', commissioned by Zart Dombourian-Eby, was composed in 1997, and premiered in Chicago at the National Flute Association convention the same year. Like many of Benshoof's other composi...

This Concerto in F Minor by Pierre Gabriel Buffardin was discovered by Wim Brabants in 2015 at the Saxon State and University Library in Dresden, Germany (Sächsische Landesbibliothek Dresden). In thre...

Prelude, Fugue and Variation for Flute and Harp (or Piano), by Cesar Franck, here adapted for concert performance by Eugene Magalif, including further "improvisatory" passages following the Prelude, t...

Delightful small songs, echoing rare moments and places where the voices of birds have been clear. Scored for piccolo(s) and percussion, with optional additional parts included.

Originally for two oboes and English horn, this charming work is a great piece which can be played by winds or strings in a variety of combinations. Instrumentation: Part 1 - Flute; Part 2 - Violin (o...

Cambini is credited with 'inventing' the woodwind quintet (fl/ob/clar/horn/bsn). In his turbulent life, he composed a large number of chamber works as well as symphonies, concerti, and operas. This ed...

From 'Sonatinas for Piano,' these pieces are light and lyrical in the late classical style. A welcome addition to the trio repertoire. Instrumentation: Part 1 - Flute; Part 2 - Violin (or Flute/Oboe);...

Contrary to the common 18th-century practice of writing 'all-purpose' duets for any combination of treble instruments, these six sonatas represent authentic works written specifically for these instru...

A welcome addition to the flute/violin/viola repertoire. These are truly 'concertante' trios; all three parts are quite independent, each one bearing its share of solo and supporting roles.

Originally for piano, this edition follows the common practice of the late 18th and early 19th-centuries of producing transcriptions for multiple combinations of instruments. The editor has attempted...

for Flute and Viola. Originally for flute and violin, this edition, with the violin line transcribed to alto clef, is a welcome addition to the flute and viola repertoire.

From Tafelmusik II, this Quartet incorporates four movements: Andante, Vivace, Largo, Allegro. With variable instrumentation, it is a wonderful addition to the chamber music repertoire.

A lovely collection of twelve short pieces for flute (or recorder) and cello. Choose a few of these pieces to make a suite for a program, or perform them all!

for Alto Flute, Bass Clarinet and Guitar. Four dance movements, each a different style, with a unique approach. Includes an additional bass clef part in C to allow for a bassoon, cello or bass to subs...

Scored for Alto Flute, Viola, Cello and Guitar, each of these ballads is distinct, and lovely to perform. All are audience pleasers, and the Instrumentation:can be adapted for other instrumentation. T...

For Flute, Viola and Guitar, the Four Elegiac Sketches are comprised of four tonal and melodious movements, each of a serious nature, this work reflects some of the various aspects of loss and remembr...

A structurally Classical work, yet Romantic in spirit, in three movements (Allegro, Poco andante, Allegro) scored for Alto Flute, Cello and Piano. An alternate part for C Flute in lieu of Alto Flute i...

Gary Schocker präsentiert Plucked für Harfe und Cembalo. Uraufführung durch die Mitglieder der Pittsburgh Symphony, Gretchen Van Hoesen (Harfe) und Rodrigo Ojeda (Cembalo), am 29. März 2021.

Gary Schocker presents Notes to Self for Harp, a collection of eight solo pieces: Thinking Good Thoughts, Cloud Walking, Shimmer, And Do You Think of Me?, Fable, Orpheus with His Lute, While You Sleep...

Gary Schocker presents Yi Jing for Harp and Chamber Orchestra, here in a reduction for Harp and Piano. The three movements within are based on three particular hexagrams within the I Ching, the ancien...