Amadeus

Dies ist ein "mörderisches" Arrangement. Ursprünglich für einen Mittelschulchor in Auftrag gegeben, wurde es seitdem für 2-stimmigen Chor, SATB, SAB und jetzt T(TB)B intoniert. Die Chorstimmen erzähle...

Für die American Choral Directors Association National Convention soll dieses Stück unter der Leitung von Randy Stenson uraufgeführt werden. Indem es unser Leben mit den Instrumenten eines Orchesters...

This work by George Jeffreys (d. 1685) and edited by Peter Aston is a setting of Jeremiah, Ch. 30, v. 17: Ah, Pity Me, Lord God, mercifully hear me... that is ideal for church or concert use. Latin an...

Noted scholar Peter Aston has edited this simple, yet profound work of George Jeffreys (d. 1685) - a setting of Song of Solomon, Ch. 2, v. 10: Truly my best beloved...rise up and come away. Ideal for...

Premiered at the 2005 ACDA convention, this setting of a poem by William Butler Yeats begs the listener to tread softly on our dreams. Available for SSAA and TTBB.

This new offering from the Randy Stenson's Male Chorus was premiered at the 2008 ACDA Northwest Division convention. Beginning with a rollicking and rhythmic opener the middle section transforms to ta...

This new offering from the Randy Stenson's Male Chorus was premiered at the 2008 ACDA Northwest Division convention. Beginning with a rollicking and rhythmic opener the middle section transforms to ta...

Selected for the Randy Stenson Male Chorus Series, this setting begins and ends with the voices emulating the bagpipe sounds of Scotland. Everything about this song pulls at the heartstrings and the c...

The words speak of youthful follies in love, but with a sense of longing that is rich and mature and a setting that adds to the depth and beauty. Male choirs from high school and older will fall in lo...

Der Titel beschreibt treffend die Sensation, die Rons Musik für dieses Lied zum Dreikönigsfest erzeugt. Die Weisen waren von dem Stern fasziniert, und die Musik fängt diese Erfahrung ein. Die Klavierb...

Now available for SSA voices, this marvelous work was released a few years ago to great acclaim and remains popular. Fully orchestrated in 4 distinctive movements, this missa brevis tastefully weaves...

Now available for SSA voices, this marvelous work was released a few years ago to great acclaim and remains popular. Fully orchestrated in 4 distinctive movements, this missa brevis tastefully weaves...

Daily Prayer ist die erste von Five Easy Hymn Anthems on Original Texts and Tunes, einer Sammlung, die als etwas verspätete Reaktion auf den 11. September 2001 entstand. Das Stück für SATB-Chor und Ke...

Lord, You've Been Our Dwelling Place ist die zweite von Five Easy Hymn Anthems on Original Texts and Tunes, einer Sammlung, die als etwas verspätete Reaktion auf den 11. September 2001 entstand. Der T...

Ron Kean hat dieses berühmte englische Weihnachtsgedicht aus dem 14. Jahrhundert in einen Zauber verwandelt, der den Hörer von Anfang an in seinen Bann zieht und ihn mit einem geheimnisvollen Charme v...

God Is with Us is the third of Five Easy Hymn Anthems on Original Texts and Tunes, a collection created as a somewhat delayed reaction to 9/11. It is composed in the style of traditional Protestant hy...

Teach Us, O Lord is the fifth of Five Easy Hymn Anthems on Original Texts and Tunes, a collection created as a somewhat delayed reaction to 9/11. It is for two-part choir (any configuration of high/lo...

Who needs another setting of Psalm 23? A valid question. So listen to this setting by Argentinian born composer and Hollywood Presbyterian Church conductor, Dr. Ariel Quintana and you'll understand. H...

Want to add a surprising sizzle to your worship? These hymn-tags will do that. Just when the congregation expects to sing the plagal amen, instead the choir breaks forth into a thrilling conclusion th...

What a refreshing setting of such a well-loved hymn. This Amazing Grace was originally written for the King's Singers and a women's choir. It can now be performed in numerous configurations, antiphona...

This is a fantastic festival piece. The antiphonal nature of the piece begs for creative use of the performance space. The Latin words taken from the Psalms are joyful and general, the parts are easil...

This is a fantastic festival piece. The antiphonal nature of the piece begs for creative use of the performance space. The Latin words taken from the Psalms are joyful and general, the parts are easil...

It is always refreshing and grounding to sing a Handel anthem. This Alleluia from the oratorio Deborah was first used by Handel in the Coronation Anthem No. 3, Let Thy Hand Be Strengthened. Robert Sie...