Argon Verlag

Diese quasi Rock-Ballade wurde 1996 geschrieben, kurz nach der Gründung des Sotto Voce Quartetts, mit der Absicht, eine Farbe (Kastanienbraun) mittels Tonkunst zu illustrieren. Zu den üppigen Harmonie...

Ein Kaleidoskop ist ein kurzes Rohr, das man beliebig dreht damit die kleinen bunten Objekte darin, dank raffinierter Verspiegelung, unendliche Varianten symmetrischer Muster erzeugen. Es ruft dabei e...

8-stimmiges Ensemble für Euphonium und Tuben

Als 'Konsequenz', 1998 den Quartettwettbewerb des Colonial Euphonium/Tuba Institute gewonnen zu haben, wurde das Ensemble 'Sotto Voce' an die 16. jährliche U.S. Army Tuba/Euphonium Konferenz eingelade...

In the style of moto perpetuo. Enjoyable and well written for elementary school level. Simple ideas that are fun to play.

In the style of moto perpetuo. Enjoyable and well written for elementary school level. Simple ideas that are fun to play.

Vivo - Hooked bows, piano needed. Most of the festivity is in the first violin part, but the other parts get a bit of the action too. Perfect for young players.

Vivo - Hooked bows, piano needed. Most of the festivity is in the first violin part, but the other parts get a bit of the action too. Perfect for young players.

Innocent, delightful and original tunes; melodious and well written for this standard; piano optional but adds interest and is recommended if there is no bass player.

Innocent, delightful and original tunes; melodious and well written for this standard; piano optional but adds interest and is recommended if there is no bass player.

From the well known cello suite, this piece has the first violins playing the melody throughout, with all other parts interesting, but playable. Suitable for advanced elementary or early high school.

From the well known cello suite, this piece has the first violins playing the melody throughout, with all other parts interesting, but playable. Suitable for advanced elementary or early high school.

An excellent introduction to recognition of syncopated rhythms for young string players. The piece has a good feel and, although it sounds complicated, is quite straightforward to play.

An excellent introduction to recognition of syncopated rhythms for young string players. The piece has a good feel and, although it sounds complicated, is quite straightforward to play.

Middle school or beginning high school. This is a fun rhythmic piece with bowed and pizzicato sections. Foot stomps add to the fun and assist in learning to feel rests. Everyone gets a turn at the mel...

Middle school or beginning high school. This is a fun rhythmic piece with bowed and pizzicato sections. Foot stomps add to the fun and assist in learning to feel rests. Everyone gets a turn at the mel...

It is in Moto Perpetuo style and very uncomplicated. The piece uses left-hand pizzicato.

It is in Moto Perpetuo style and very uncomplicated. The piece uses left-hand pizzicato.

fast down bows alternating with fast up bows and 'zigzag' bowing. It is also played legato in one bow, requiring the players to save the bow and use it evenly. The piano part covers any missing parts,...

fast down bows alternating with fast up bows and 'zigzag' bowing. It is also played legato in one bow, requiring the players to save the bow and use it evenly. The piano part covers any missing parts,...

5/4 is not a time signature that appears frequently in student repertoire, yet it gives an exciting, driving force to the music. This piece requires an edgy 'off the string' style of bowing in the acc...

5/4 is not a time signature that appears frequently in student repertoire, yet it gives an exciting, driving force to the music. This piece requires an edgy 'off the string' style of bowing in the acc...

This is a great, fun way to explore some interesting rhythmic and bowing techniques in major and minor keys. The first violins are required to use low first fingers, while the other parts are very str...

This is a great, fun way to explore some interesting rhythmic and bowing techniques in major and minor keys. The first violins are required to use low first fingers, while the other parts are very str...

The rhythms used in this piece are repetitive, so will be easily learned and recognized in the future. The feel of a canon is utilized in each four-bar phrase and the melody is shared right around the...