Asaph-Verlag
A set of short (total 9 min.) tributes to some of Schickele's favorite composers: Lasso; Praetorius; D. Scarlatti; Chopin and Stravinsky. For sale in U.S. and Canada only. For college; conservatory; p...
A set of short (total 9 min.) tributes to some of Schickele's favorite composers: Lasso; Praetorius; D. Scarlatti; Chopin and Stravinsky. For sale in U.S. and Canada only. For college; conservatory; p...
- Klavier
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- Theodore Presser Company
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Eight Folk Settings for Piano
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For Piano, Left Hand
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For Piano and Organ
- Klavier und Orgel
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- Theodore Presser Company
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Presents II is a varied collection of short and long piano pieces written for people who touched composer Peter Schickele's life; whether in longtime friendships or through chance encounters. These pi...
Presents II is a varied collection of short and long piano pieces written for people who touched composer Peter Schickele's life; whether in longtime friendships or through chance encounters. These pi...
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- Theodore Presser Company
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In his early twenties; Peter Schickele was profoundly affected by a performance of Boulez's Second Piano Sonata; changing his impression of contemporary music forever. According to Schickele; these Fo...
In his early twenties; Peter Schickele was profoundly affected by a performance of Boulez's Second Piano Sonata; changing his impression of contemporary music forever. According to Schickele; these Fo...
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For Piano.
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For Piano Solo. Classical. Solo part. 16 pages.
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The Schickele signature: easy to the ear; delightful to the sense of humor; stimulating to the imagination and tricky ( just a little ) to the fingers. For studios; secondary; college; home. Easy-medi...
The Schickele signature: easy to the ear; delightful to the sense of humor; stimulating to the imagination and tricky ( just a little ) to the fingers. For studios; secondary; college; home. Easy-medi...
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- Theodore Presser Company
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This musical is a revue of Brel's work. At the age of 23, Brel moved from Nazi-occupied Brussels to Paris, where he began to chase his dreams of a musical career. No performers wanted to sing his song...
This musical is a revue of Brel's work. At the age of 23, Brel moved from Nazi-occupied Brussels to Paris, where he began to chase his dreams of a musical career. No performers wanted to sing his song...
- Songbuch (Klavier, Gesang & Gitarre)
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- International Music Publications (IMP)
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- Klavier, Gesang & Gitarre
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- International Music Publications (IMP)
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Lieferzeit 3-6 Arbeitstage
- Klavier
- Partitur
- PWM Edition
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- Gitarre
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- UT Orpheus Edizioni
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For Bb clarinet and Violoncello
- Klarinette und Cello
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- Ensemble
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Shulamit Ran's delicately tinted chamber work Birkat Haderekh...glowed with a sense of gentle but firm supplication; its title rendered from the Hebrew as 'Blessing for the Road.' -- Jeremy Eichler; T...
Shulamit Ran's delicately tinted chamber work Birkat Haderekh...glowed with a sense of gentle but firm supplication; its title rendered from the Hebrew as 'Blessing for the Road.' -- Jeremy Eichler; T...
- Klarinette, Violine, Cello und Klavier
- Partitur und Stimmen
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In celebration of its 75th anniversary season; the Tanglewood Music Center commissioned a mixed quartet from Shulamit Ran; resulting in this work's original 2015 scoring for Bb Clarinet; Violin; Cello...
In celebration of its 75th anniversary season; the Tanglewood Music Center commissioned a mixed quartet from Shulamit Ran; resulting in this work's original 2015 scoring for Bb Clarinet; Violin; Cello...
- Klarinette, Altsaxophon, Violine, Cello, Percussion und Klavier
- Partitur und Stimmen
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- Solo, Frauenchor, Violine, Harfe, Klavier und Orgel
- Partitur
- UT Orpheus Edizioni
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For Piano Solo. Classical. Solo part. Composed 1984. 4 pages. Duration 3:00.
For Piano Solo. Classical. Solo part. Composed 1984. 4 pages. Duration 3:00.
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For Piano Solo. Solo part. Composed 1989. 8 pages. Duration 5:00.
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For Piano Solo. Performance score. Composed 1984. 8 pages. Duration 6:00.
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For Piano Solo. Solo part. Composed 1999. 15 pages. Duration 6:00.
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For Piano Solo. Solo part. 3 pages. Duration 2:00.
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