Asaph-Verlag

Three-part Treble Voices, a cappella

S.S.A.A., a cappella

From SACRAE CANTIUNCULAE, FOR S.S.A. CHORUS, A CAPPELLA

For Chorus of Women's Voices a cappella

S.S.A., a cappella

For Women's Chorus, a cappella

S.S.A.A., a cappella

A lovely setting of the Latin Grace from Jesus College, Cambridge, featuring harmonic richness and subtle rhythmic and textural merits. An excellent a cappella selection for mature mixed choruses.

A lovely setting of the Latin Grace from Jesus College, Cambridge, featuring harmonic richness and subtle rhythmic and textural merits. An excellent a cappella selection for mature mixed choruses.

Composed for the choir of St. Chad's, Shrewsbury, this setting for unaccompanied mixed voices of the prayer after communion presents the text in a straightforward manner, with nuanced phrases and gent...

Composed for the choir of St. Chad's, Shrewsbury, this setting for unaccompanied mixed voices of the prayer after communion presents the text in a straightforward manner, with nuanced phrases and gent...

The choral music of Orlando Gibbons (1583-1625) is unusual among his Tudor contemporaries for being all in English (as far as we know), and is of the very highest quality. This collection provides an...

William Byrd (c. 1540-1623) is one of the giants of the English Renaissance, composing sacred polyphony for both Anglican and Catholic rites. This collection provides well-edited, clean editions at an...

Originating as a traditional Tyne River Shanty for the transport of coal, this sturdy tune will fit well in a program of folk music, with a steady rowing motion in the accompaniment and a dancelike me...

Originating as a traditional Tyne River Shanty for the transport of coal, this sturdy tune will fit well in a program of folk music, with a steady rowing motion in the accompaniment and a dancelike me...

Just like many pop songs of today, English Renaissance madrigals, the pop songs of their time, mention loved ones by name. Two of the most frequent to crop up are “Phyllis” and “Amar...

Thomas Tallis (1505-1585) was equally at ease composing simple settings of English texts, and more florid Latin motets, as the examples in this collection show. Includes: Hear the voice and prayer; If...

Thomas Tallis (1505-1585) was equally at ease composing simple settings of English texts, and more florid Latin motets, as the examples in this collection show. Includes: Hear the voice and prayer; If...

Orlando di Lasso was a Franco-Flemish composer of the late Renaissance known for his mature polyphonic style. Equally adept in many languages and both sacred and secular forms, his compositions remain...

Here are five representative works of Josquin des Prez, probably the most famous European composer of the high Renaissance style of polyphonic vocal music in a value priced collection for mixed choirs...

Orlando di Lasso was a Franco-Flemish composer of the late Renaissance known for his mature polyphonic style. Equally adept in many languages and both sacred and secular forms, his compositions remain...

Mixed choruses and chamber ensembles will frequently use and enjoy this collection of English madrigals, selected and edited by former King's Singer Philip Lawson. Selections include: Sweet Suffolk Ow...

This popular Irish tune tells the story of a young man who is smitten with love at the sight of sweet Rose McCann from the County Down. The lilting melody passes seamlessly from part to part while the...

When the kye (cows) come home – that's when the young man's thoughts turn to courting! This arrangement of a Scottish tune features a baritone soloist supported by rich harmonic choral accompani...

When the kye (cows) come home – that's when the young man's thoughts turn to courting! This arrangement of a Scottish tune features a baritone soloist supported by rich harmonic choral accompani...