Camden Music

Variations on the March theme from Handel's 'Occasional Oratorio'. 3 bassoons + contra.

This nursery rhyme is effectively arranged for 3 bassoons.

Grieg's March is ideally suited to the sound of 3 bassoons and contra.

A familiar work for solo bassoon - now play it with your bassoon friends! Three bassoons and contra.

Folk song was a major inspiration for Geoffrey Hartley and this engaging Fantasia provides an excellent concert work. 4 bassoons or 3 bassoons and contra.

Generator was written for Mark Eden and Chris Stell. It was partly inspired by H. R. Giger's paintings of 'bio-mechanoids', hybrids between man and machine which exist in bleak visions of the future....

Gary Ryan's Dreams, Rest And Motion for Guitar duo. Part of The Camden Music Guitar Series - a range of fabulous educational and concert Guitar music by the UK's top Guitar composers, educatorsand pe...

Suite Exotique consists of four simple, contrasting themes with plenty of scope allowed for new techniques. The parts can be doubled or tripled to make useful ensemble or group teaching materials. Gr...

This English pastoral style work is both serious and witty. John Frith skilfully exploits the many textures of the ensemble, producing a challenging yet deeply satisfying addition to the quintet reper...

A stunning 7-movement work featuring grotesque dances and a theme and 6 variations from one of today's finest composers of wind music.

Alto saxophone and piano. Recognised as one of the most brilliant and significant solo saxophone works of the decade. Commissioned by Gerard McChrystal with funds from the Arts Council of Great Britai...

A short lyrical piece for baritone or alto sax and piano.

The inspiration for this piece comes from John 20 verse 15 and is arranged for Alto Saxophone. For ABRSM grade 8 Saxophone.

As recorded by Julian Lloyd-Webber on his album 'Cradle Song'.

Variations on 'What shall we do with the Drunken Sailor?' in the style of different drinks! 3 bassoons plus contra.

A short concert work for bassoon and piano, expertly written for the instrument. Grade: 7

The first piece, in the major key, makes use of the first four notes learnt on the instrument and the second piece, in the minor, explores the interval of the sixth. Grade: 1 - 3

Two great pieces by one of Britain's top young composers. As recorded by Kirsten Spratt on her CD Triligence.

Duo was originally written for violin and piano, but Sweeney intentionally left the instrumentation of the solo part open because he felt that the piece was more 'a rhythmic working-out of certain mot...

This collection of tuneful and engaging pieces ranges from Grades 1-5 in standard and is an ideal introduction to developing improvisation. Designed espeically to help the classically trained musician...

A delightful one movement work, immediately selected for the Trinity Guildhall syllabus.