Dunvagen Music Publishers

Internationally renowned minimalist Philip Glass composed this Piano concerto in the traditional three-movement form. The first movement, titled 'The Vision' is classic Glass, with a steamroller quali...

Glassworks was originally written as a commission for CBS Records in 1981. Philip Glass' music is frequently described as minimalist, though he prefers the term theatre music. He is considered one of...

Proponents and critics alike may find the idea surprising that celebrated minimalist composer Philip Glass is an admirer and student of the Baroque literature for harpsichord. On consideration, the dr...

Commissioned by the Klavier-Festival Ruhr 2008, pianists Dennis Russell Davies & Maki Namekawa premiered Philip Glass's Four Movements for Two Pianos on July 7, 2008.

A movement by Philip Glass from his opera Einstein On The Beach in Glass's trademark minimal style. This short interlude is the first of five Knee Play pieces used to punctuate the Opera between acts....

Another Look at Harmony is a project started in 1975. The approach has been to link directly rhythmic and harmonic structure. In doing so, easily audible root movement (chords or 'changes') was chosen...

An opera in four acts for ensemble, chorus and soloists in full score from minimalist composer Philip Glass. It is Glass's first and longest opera, taking approximately five hours to complete, with no...

Another Look at Harmony is a project started in 1975. The approach has been to link directly rhythmic and harmonic structure. In doing so, easily audible root movement (chords or changes) was chosen i...

Philip Glass was approached by timpanist Jonathan Haas to write a timpani concerto for himself nearly ten years before Glass was finally able to get down to it. The timpani concerto 'grew up' into a d...

In the past two decades years, American composer Philip Glass has become a prominent and unique figure in the international music world. Writing operas, orchestral and choral works and music for film,...

Written for orchestra and dedicated to Dennis Russell Davies.

Work for Solo Piano written for Constance DeJong's performance of her novel 'Modern Love' in 1978.

In the past two decades years, American composer Philip Glass has become a prominent and unique figure in the international music world. Writing operas, orchestral and choral works and music for film,...

Along with many other great American composers drawn from all musical genres, Philip Glass was commissioned by the 1984 Olympic Committee to write a work for performance at the spectacular opening cer...

This is a player score of the 1973 classic of the early minimalist movement. It is to be performed by any combination of at least three players (originally three woodwinds and three electric organs) a...

Einstein, the man of science; Gandhi, the man of politics; Akhnaten, the man of religion. These three men revolutionised the thoughts and ideas of their times, and the subject of this Opera in three a...

The Windcatcher was originally written for Flute and Piano intended for an uncompleted short film project, and was later transcribed as this Saxophone Sextet arrangement. The score is available (Catal...

A work for Double Bass and Timpani by Philip Glass. Commissioned by the American Repertory Theater, Cambridge, MA, for their production of Samuel Beckett's Endgame.

A movement by Philip Glass from his opera Einstein On The Beach in Glass's trademark minimal style. This short interlude is the fourth of five Knee Play pieces used to punctuate the Opera between acts...

For solo Cello, Harp, Organ, Celesta and Percussion. Includes 5 performing scores. Tissues is a set of pieces from the larger work Naqoyqatsi (2002), written for the film of the same name. This book...

Originally written for Soprano with Clarinet and Bassoon, this version of Hebeve Song by Philip Glass features a Keyboard representation of the wind material for Voice/Keyboard performance. For use ei...

A movement by Philip Glass from his opera Einstein On The Beach in Glass's trademark minimal style. This short interlude is the fourth of five Knee Play pieces used to punctuate the Opera between acts...