Editions Salabert

Version for SAB Choir and Piano arranged by Noel Goemanne.

An arrangement of Dowland’s I Saw My Lady Weep followed by a set of variations for trombone and string quartet.

A concertato style arrangement of the tune associated with the text All Creatures of Our God and King.

Great selection for concert. Rhythm keeps ringers and audience awake. Most convincing with 5 octaves.

Combined into one edition are both traditional wedding tunes, The Bridal Chorus and The Wedding March, either of which can be rung by 2 to 5 octave handbell choirs. Each piece is arranged in a classic...

Here is a faithful transcription by veteran writer Alfred Zabel of the beautiful by French composer, Gariel Fauré. The score includes a part for flute solo. Useful in worship or concert. Harold Flamme...

Paul Creston (1906-1985) was a well-known composer in his day who made rhythm the cornerstone of his work. Born to Italian immigrant parents in New York City, he was essentially a self-taught composer...

Work for Alto Saxophone or Clarinet with Piano.

New York-style Latin is the foundation for this infectious groove and catchy melody. Oliver Nelson's arrangement of 'Shake A Lady' is a great chart that will cause your band's heads to sway and your a...

Here is another one of Johnny Richards' great latin tunes as written for the Stan Kenton Orchestra. This lilting 5/4 chart has a great groove and amazing ensemble writing, with solo space for alto, tr...

The title refers to the somewhat 'mystical' style of the opening of this wonderful and fun-filled chart. After the opening, and a couple of screams of terror from the band, the piece settles into a re...

This version is edited to be played with only 8 brass and a standard saxophone section. As recorded by the Stan Kenton Orchestra on 'Live at Brigham Young University', this is the thrilling latin Stan...

Finally ... the definitive version of this magnificent music. The third of seven movements published by Sierra Music. The original score of Richards' was the source for this and all the movements of t...

Any Kenton fan knows this piece very well, as it is one of the finest things ever written for Stan. This transcription faithfully recreates the stunning afro-cuban chart by Bill Holman. There is solo...

As recorded on the Tonight Show Band CD 'Once More With Feeling' (Amherst Records), this chart is one of the 'hippest' that Tommy ever wrote for that band. There is solo space for tenor sax, but the m...

Bob Curnow took Ken Hanna's wonderful, latin, medium-tempo tune and made it a bit more accessible for good bands. The ranges are a bit more realistic and practical. This also features alto sax and tru...

This is a new edition (Finale computer notation) of this lovely bossa nova tune. Curnow uses flugelhorns to create a warm, lush, lyrical melody that floats in and out of various counter lines. There i...

Johnny Richards wrote this gorgeous melody as part of the incomparable Stan Kenton 'Cuban Fire' CD, and now this version allows the music to be performed without all of the usual high trumpet and comp...

Here is another marvelous collaboration of Pat Metheny/Lyle Mays music as arranged for big band by Bob Curnow. The original recording by the Pat Metheny Group is on the CD 'Speaking of Now.' The piece...

This is the chart that people have been wanting to see in print for years! Recorded by the Bill Holman Band on their album 'Briliant Corners', this is the great Thelonious Monk tune set in a straight-...

This is a completely re-composed and re-notated (in Finale) version of a piece that has been in the catalog for a while. It has a Latin / Fusion feel reminiscent of some early Freddie Hubbard tunes. S...

As recorded by the Stan Kenton Orchestra on 'Viva-Kenton,' this delightful Latin chart has solo space for tenor saxophone and features a very hip melody by Gene Roland. Gene wrote many, many hit recor...