Edwin F. Kalmus

This 95 page score is taken from a previous Belwin Mills publication. It provides the choir and soloist parts along with a piano reduction of the orchestral parts, with notations, instrument cues, and...

Titles: 1. Requiem für Mignon, Opus 98b for Soli, Chorus and Orchestra * 2. Nachtlied, Opus 108 for Chorus and Orchestra * 3. Der Rose Pilgerfahrt for Soli, Chorus and Orchestra.

A Solo, No chorus

A Soprano voice solo with Orchestra Accompaniment composed by Johann Sebastian Bach.

Soprano Solo

For Alto Solo And Orchestra With German Text And English Text In Preface. Choral Score.

Soprano Solo

For Alto Solo And Orchestra With German Text And English Text In Preface. Choral Score.

Soprano Solo

Written following a visit to both the nuclear holocaust "ground zero" of Hirsshima, Japan, and the more conventional holocaust of Pearl Harbor, the opening of this work is meant to capture t...

While Joseph Gabriel Rheinberger composed a significant number of works for worship, his MASS IN C MAJOR, Op. 169 for soloists, mixed chorus and orchestra is the only mass to include orchestral accomp...

Gioachino Rossini (1792-1868) begann 1831 auf Wunsch eines gewissen Fernández Varela mit der Arbeit an seiner Version des traditionellen Hymnus Stabat Mater. Da Rossini aus gesundheitlichen Gründen ni...

This is the second of six Masses composed by Franz Schubert (1797-1828), also referred to frequently as the "Mass in G," and it remains the best known of the three shorter settings titled &q...

Dies ist die zweite von sechs Messen, die Franz Schubert (1797-1828) komponiert hat. Sie wird häufig auch als "Messe in G" bezeichnet und ist die bekannteste der drei kürzeren Vertonungen mit dem Tite...

The most famous of several Vivaldi works entitled Gloria (RV 589), this edition by Clayton Westermann includes a short preface to explain performance practice. Of the three recorded Glorias Vivaldi wr...

Antonio Vivaldi (1678-1741) wrote numerous versions in G minor of the Magnificat canticle, making alterations to his own settings over his decades serving as director of music at the Ospedale della Pi...

KOMM, SÜSSER TOD wurde ursprünglich für Solostimme und Basso continuo als Teil der 69 SACRED SONGS AND ARIAS geschrieben, die J. S. Bach zum MUSICALISCHES GESANGBUCH von Georg Christian Schemelli (BWV...

Bach's Six English Suites have been newly engraved from the acclaimed Hans Bischoff edition. These fresh, easily read pages will make lessons and work towards performance more simple and exciting. Inc...

Bach's Six English Suites have been newly engraved from the acclaimed Hans Bischoff edition. These fresh, easily read pages will make lessons and work towards performance more simple and exciting. Inc...

Johann Sebastian Bach (1685-1750) composed his CANTATA NN. 29: WIR DANKEN DIR, GOTT, WIR DANKEN DIR (WE THANK YOU, GOD, WE THANK YOU), BWV 29 for the installation of the new Leipzig town council in 17...

Johann Sebastian Bach's (1685-1750) composed his chorale CANTATA No. 140, WACHET AUF, RUFT UNS DIE STIMME (Awake, calls the voice to us), BWV 140, also known as SLEEPERS AWAKE, for the 27th Sunday aft...

Johann Sebastian Bach's (1685-1750) composed his chorale CANTATA No. 140, WACHET AUF, RUFT UNS DIE STIMME (Awake, calls the voice to us), BWV 140, also known as SLEEPERS AWAKE, for the 27th Sunday aft...

Johann Sebastian Bach's (1685-1750) composed his chorale CANTATA No. 140, WACHET AUF, RUFT UNS DIE STIMME (Awake, calls the voice to us), BWV 140, also known as SLEEPERS AWAKE, for the 27th Sunday aft...

Written between 1865-1868, EIN DEUTSCHES REQUIEM (A GERMAN REQUIEM), Op. 45 was Johannes Brahms (1833-1897) longest work. The seven movement mass sets Martin Luther's translation of Biblical text to m...