Noten von Faber Music

Have A Cigar, as recorded by Pink Floyd. Arranged for drums in digital sheet music format.

Seventeen Drum transcriptions, with melody lines of a selection of songs from four of Nirvana's albums, Bleach, Nevermind, Incesticide and In Utero and includes such classic songs as Smells Like Teen...

Take over from Keith Moon and become a member of the British rock modsters The Who! 8 classic songs, transcribed from the original recordings for drums, with drum charts, melody line and chord symbols...

Six classic songs from their early years including Spirit Of Radio and Tom Sawyer. Includes a specially recorded soundalike CD with full demos and backing tracks.Compatible with other Authentic Playal...

Rock N Roll Queen by The Subways, arranged in drum chart format to follow the parameters for Initial to Grade 1 as set out by Trinity for the "own choice song" option in their Rock & Pop exams. Availa...

Exo-Politics by Muse, arranged in drum chart format to follow the parameters for Grades 4 to 5 as set out by Trinity for the "own choice song" option in their Rock & Pop exams.

Another Brick In The Wall Part 2, as recorded by Pink Floyd. Arranged for drums in digital sheet music format.

The Fletcher Memorial Home, as recorded by Pink Floyd. Arranged for drums in digital sheet music format.

Money, as recorded by Pink Floyd. Arranged for drums in digital sheet music format.

Highway To Hell, as recorded by AC/DC. Arranged for voice with drums in digital sheet music format.

Duration: 6 minutes

As I Sat Under a Holly Tree in an arrangement by Imogen Holst for 3 equal upper voices.

Anne Boyd began studying at the Department of Music at the University of Sydney in 1963 where her principal composition teacher was Peter Sculthorpe. A number of her works were performed at the Intern...

O Come, Let Us Sing Unto The Lord was written for Stephen Layton and Polyphony by Morten Lauridsen. Purchase the sheet music for unaccompanied SATB chorus. This setting has been recorded on Lauridsen:...

Two prayers of St. Edmund, beautifully set for 'a cappella' choir. Technically, this piece is well within the grasp of most choirs and would make a memorable concert work, anthem or introit.

Predominantly hushed and serene, Plainsongs for Peace and Light proved to be Jonathan Harvey's final work. It sees Harvey re-examining the very fundamentals of his craft - superimposing lines of plain...

A motet for eight-part unaccompanied choir setting a poem by Henry Vaughan and edited by Imogen Holst.