Noten von Faber Music

Study No. 1, composed by Louis Köhler and selected by Sally Adams for flute solo in digital sheet music format.

Can Can, composed by Jacques Offenbach and arranged by Pam Wedgwood for flute with piano accompaniment.

La Donna E Mobile (from 'Rigoletto'), composed by Giuseppe Verdi and arranged by Pam Wedgwood for flute with piano accompaniment.

Land Of Hope And Glory, composed by Edward Elgar and arranged by Pam Wedgwood for flute with piano accompaniment.

The first movement for Symphony No. 40 in G Minor, composed by Wolfgang Amadeus Mozart and arranged by Pam Wedgwood for flute with piano accompaniment.

Tambourin, composed by Francois Gossec and arranged by Pam Wedgwood for flute with piano accompaniment.

Song Without Words, attributed to Franz Paul Lachner and arranged by Sally Adams and Nigel Morley for flute with piano accompaniment.

Minuet from 'Il Pastor Fido', composed by George Frideric Handel and arranged by Sally Adams and Nigel Morley for flute with piano accompaniment.

Spagnoletta, composed by Michael Praetorius and arranged by Sally Adams and Nigel Morley for flute with piano accompaniment.

Coming From The Fountain, composed by Enrique Granados and arranged by Sally Adams and Nigel Morley for flute with piano accompaniment.

Cortesemente from 'Sonata in A', composed by Georg Philipp Telemann and arranged by Sally Adams and Nigel Morley for flute with piano accompaniment.

Grandmama Tells A Ghost Story, composed by Theodor Kullak and arranged by Sally Adams and Nigel Morley for flute with piano accompaniment.

Romance, composed by Max Reger and arranged by Sally Adams and Nigel Morley for flute with piano accompaniment.

Andante alla Siciliana, composed by Saverio Mercadante and arranged by Sally Adams and Nigel Morley for flute with piano accompaniment.

Tell Me Lovely Shepherd, composed by William Boyce and arranged by Sally Adams and Nigel Morley for flute with piano accompaniment.

Hungarian Fantaisie, composed by Karl Joachim Andersen and arranged by Sally Adams and Nigel Morley for flute with piano accompaniment.

Sous le dôme épais from 'Lakmé', composed by Léo Delibes and arranged by Sally Adams and Nigel Morley for flute with piano accompaniment.

Rondo, composed by Caspar Fürstenau and arranged by Sally Adams and Nigel Morley for flute with piano accompaniment.

Allegro molto First Movement from 'Sonata in D, Op.6', composed by Ludwig van Beethoven and arranged by Sally Adams and Nigel Morley for flute with piano accompaniment.

Les regrets de la nonnette, composed by Charles-Valentin Alkan and arranged by Sally Adams and Nigel Morley for flute with piano accompaniment.

Andante from Sonata in G minor Op.1, No.10, composed by George Frideric Handel and arranged by Sally Adams and Nigel Morley for flute with piano accompaniment.

Adagio from 'Trio Sonata in A minor', composed by Carl Philipp Emanuel Bach and arranged by Sally Adams and Nigel Morley for flute with piano accompaniment.

Romance No.3 of Four English Sketches, composed by William Y. Hurlstone and arranged by Sally Adams and Nigel Morley for flute with piano accompaniment.

The Oxen is a lamenting poem of Thomas Hardy's set to music by esteemed composer Benjamin Britten, arranged for upper voices with piano accompaniment.

Warmth and lyricism characterise Brahm's distinguished output for smaller choirs. This selection presents his most accessible rewarding settings for upper voice choirs.