Noten von Faber Music

These two charming pieces – ‘Sea Chant’ and ‘The Left Bank Waltz –are dedicated in turn to the memory of Sculthorpe's housekeeper and mother. The pieces together last 4 minutes, and would make perfect...

With a duration of 10 minutes, these Five Waltzes for solo piano were part of a collection of '10 Walztes' composed when Britten was 12 years old.

Written for, and inspired by, the remarkable virtuosity of Roger Woodward – though actually left unheard for five years after its composition in 1981 – Anne Boyd’s Book of the Bells is a 20-minute tou...

Three Character Pieces, composed by Benjamin Britten. Arranged for piano solo in digital sheet music format. Written in 1930 and lasting 7 minutes in total, these pieces are portraits of three of Brit...

Colin Matthews’s Berceuse and Sarabande – together lasting 8 minutes – form the final two movements of his Suite for piano. Composed between 1976 and 1979 the five piece that make up the suite may be...

Although, as the title of these bold studies from 1987 implies, they are all fast, they are not in the first place studies in pianistic virtuosity, so much as studies in various ways of composing fast...

Composed in the mid-70s, these Five Studies for piano offer a fascinating insight into the early musical interests of Colin Matthews – the fifth, in particular, showing the influence of American minim...

In these three characterful and testing piano studies, composed in the autumn of 1985, Nicholas Maw sought to bypass many of the characteristics of post-war piano writing and take up where the ‘old’ p...

In these three characterful and testing piano studies, composed in the autumn of 1985, Nicholas Maw sought to bypass many of the characteristics of post-war piano writing and take up where the ‘old’ p...

In these three characterful and testing piano studies, composed in the autumn of 1985, Nicholas Maw sought to bypass many of the characteristics of post-war piano writing and take up where the ‘old’ p...

In this solo piano piece from 2000, Peter Sculthorpe recalled his childhood in Tasmania, and the travelling fairs that would set up each year opposite his family shop. For a penny, he would select a s...

This 2-minute work, one of a number of piano miniatures by Peter Sculthorpe, recalls a period from 1957 when the composer first moved to Sydney to write popular music for theatre. One of his collabora...

The Rose Bay Quadrilles were originally written by William Stanley in 1885 to mark the occasion of the laying of the foundation stone of Woollahra House in Sydney. Sculthorpe, who lived most of his pr...

Matthew Hindson composed this riotous 6-minute work for piano with optional electronic bass drum in 1994. A virtuoso tour-de-force of seismic energy. ‘The brave new world of pianism was invaded with a...

Influenced by the ecstatic pure melody of the Japanese Shakuhachi and the soft, infinitely subtle tones of Javanese Gamelan, Anne Boyd’s Angklung is music of radical simplicity: it employs only four n...

You Didn't Have To Tell Me (I Knew It All The Time), written by Walter Donaldson, arranged for voice and piano with guitar chords.

You're All That I'm Living For, written by Walter Donaldson, arranged for voice and piano with guitar chords.

You're Driving Me Crazy (What Did I Do), written by Walter Donaldson, arranged for voice and piano with guitar chords.

Mass (Re-Imagined), by Phoria. Arranged for piano solo in digital sheet music format.

Hearts And Flowers, composed by Theodore Tobani, arranged for piano solo.

And The Great Big Saw Came Nearer And Nearer, written by Harris Weston and Bert Lee, arranged for voice and piano with guitar chords.

Indian Summer, written by Victor Herbert with words by Al Dubin, arranged for voice and easy piano with guitar chords.

Relax, as performed by Frankie Goes To Hollywood, arranged for voice and piano with guitar chords.

Cold Wind In August, written and performed by Van Morrison, arranged for voice and piano with guitar chords.

It's Not Unusual, written by Les Reed and Gordon Mills, as performed by Tom Jones, arranged for voice and piano with guitar chords.