Falls House Press

Blank adds his own voice to the musical translation of Dickinson's poems with three diverse settings for voice, flute, and cello. He chooses A Fuzzy Fellow, Wild Nights, and I'm Nobody, matching the t...

This concerted symphony by the youngest of JS Bach's sons is representative of the transition from baroque to classical, and JC Bach's gallant lyricism and rhythmic energy are evident throughout, espe...

Now in Two Flute Flavors is two movements of crowd-pleasing and somewhat-challenging jazz. The first movement, 'Some Restrictions May Apply, ' lies between cool jazz and big band. A walking bass under...

Your Results May Differ is a jazzy crowd pleaser in three movements. The first movement immediately lives up to its title of Bass Motives when it opens with the basses jumping from a low D trill to hi...

In broad strokes, this piece describes the experience of emigration as remembered and reconciled a family. After an introduction, we hear the tenseness of a difficult life that grows more agitated and...

Precipitation To The Dance sketches the start of a skier's powder morning ' that rare moment that skiers live for. In the first scene, it is night, and the snow falls peacefully, gloriously, and lyric...

Singletree 1 & 2 was written for the Singletree Trio, a flute, marimba, and tuba ensemble. The first suite features ethnic music: balouza is (a middle eastern pudding) belly-danceable, and the last mo...

This tenor aria from Bach's Cantata 188 is set for five-part flute choir with contrabass. The 2nd alto flute part plays the tenor solo and the solo oboe part has been given to the first flutes. Writte...

Originally written for piano by world-class accompanist Clifford Benson, Falls House Press's Three Pieces for flute choir have been arranged by his contemporary, Trevor Wye. Benson functioned as Wye's...

This piece was written as a solo piano piece in 1890 and is full of rhythmic drive and playfulness, exploiting the metrical ambiguities of 6/8 and 3/4 meters. It is scored for picc. , 3 C flutes, alto...

The rhythmic and contrapuntal nature of this late Renaissance Italian music represents an important stylistic contribution to the flute choir repertoire.

Scronx was an early 17th century church organist in Liege. Many churches of the day contained several different organs in different choir lofts or alcoves of the church. Such built-in antiphonal quali...

Quicksteps were one of the main forms of popular music during the 19th century in America. They were written often for special occasions or to honor special people. While they were originally composed...

This also follows the same format as Flute Fugue #1, only demonstrates the Eb and contrabass flute as well. The fugue starts with a contrabass solo and is heard by itself at the end as well, to reinfo...

Falls House Press makes available a critically overlooked work by an equally eligible 19th century composer, Gaspard Kummer. In Richard Rockstro's The Flute (1890), Rockstro says of Kummer: 'I know of...

Robert Raines' M??nage for flute, bass clarinet and piano strives to explore varied relationships between these three 'individuals' in solo, duet and trio settings. From the composer: 'When I began co...

Celtic Partita, for flute & piano, is an entertaining and challenging new addition to the flutist's repertoire. Weaving a traditional jig, air, reel, and hornpipe with clever Baroque-style quotes, Cam...

Amy Beach, born in 1867, was a child prodigy who was composing little pieces on the piano by the age of four. By the 1920's she was so popular that there were music clubs in her name all over the coun...

Gli?¿re's warm and colorful harmonies create an excellent backdrop for his Melody. The Waltz is from the nineteenth-century romantic tradition.

Awakening for flute choir and percussion is an exciting new work commissioned by the South Shore Conservatory Flute Symphony. Full of rhythmic vitality and color, it explores a wide range of flute tec...

Jewish Wedding Music Collection includes a medley and three often-requested Hebrew tunes appropriate for Jewish weddings in any synagogue. Two versions of Dodi Li are included, along with Erev Ba and...

Originally a work for chamber orchestra, this energetic jig demonstrates well the composer's great interest in English folk music. Scored for picc. , 4 C flutes, alto & bass and may be performed effec...