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- Violine, Streicher und Basso Continuo
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This new critical edition includes the alternative slow movement that turns the work into what the standard catalogue of Vivaldi's works by Peter Ryom knows as RV 224a.
This new critical edition includes the alternative slow movement that turns the work into what the standard catalogue of Vivaldi's works by Peter Ryom knows as RV 224a.
- Violine, Streicher und Basso Continuo
- Stimmensatz
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Unique among Vivaldi's instrumental works is a quadro which has recently been authenticated and given the catalogue number RV 801. This work is published here for the first time in modern critical edi...
Unique among Vivaldi's instrumental works is a quadro which has recently been authenticated and given the catalogue number RV 801. This work is published here for the first time in modern critical edi...
- Querflöte, Violine, Cello und Basso Continuo
- Partitur und Stimmen
- Edition HH Limited
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- Klavier
- Noten
- Christopher Hogwood
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Anton Eberl, nine years younger than Mozart, also began life as a prodigy, and became a friend of Mozart and probably also a pupil; his compositions show such an acquaintance with Mozart's style that...
Anton Eberl, nine years younger than Mozart, also began life as a prodigy, and became a friend of Mozart and probably also a pupil; his compositions show such an acquaintance with Mozart's style that...
- Klavier
- Noten
- Christopher Hogwood
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The Grande Sonate Charactéristique in F minor was published between Eberl's visits to Russia, and dedicated to Haydn, possibly in gratitude for his reported praise of Eberl's opera Die Königin der sch...
The Grande Sonate Charactéristique in F minor was published between Eberl's visits to Russia, and dedicated to Haydn, possibly in gratitude for his reported praise of Eberl's opera Die Königin der sch...
- Klavier
- Noten
- Christopher Hogwood
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These delightful, elegant quintets by a contemporary and acquaintance of Haydn and Beethoven are central to the Classical flute repertoire. The music is skilfully constructed, the flute and violin sha...
These delightful, elegant quintets by a contemporary and acquaintance of Haydn and Beethoven are central to the Classical flute repertoire. The music is skilfully constructed, the flute and violin sha...
- Querflöte, Violine, Viola und Cello
- Partitur und Stimmen
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These delightful, elegant quintets by a contemporary and acquaintance of Haydn and Beethoven are central to the Classical flute repertoire. The music is skilfully constructed, the flute and violin sha...
These delightful, elegant quintets by a contemporary and acquaintance of Haydn and Beethoven are central to the Classical flute repertoire. The music is skilfully constructed, the flute and violin sha...
- Querflöte, Violine, Viola und Cello
- Partitur und Stimmen
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These exceptionally beautiful quartets (HH67, HH68 and HH69) are both elegantly and skilfully written with musically interesting parts for all the players. They thus provide an essential core to the f...
These exceptionally beautiful quartets (HH67, HH68 and HH69) are both elegantly and skilfully written with musically interesting parts for all the players. They thus provide an essential core to the f...
- Querflöte, Violine, Viola und Cello
- Partitur und Stimmen
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These exceptionally beautiful quartets (HH67, HH68 and HH69) are both elegantly and skilfully written with musically-interesting parts for all the players. They thus provide an essential core to the f...
These exceptionally beautiful quartets (HH67, HH68 and HH69) are both elegantly and skilfully written with musically-interesting parts for all the players. They thus provide an essential core to the f...
- Querflöte, Violine, Viola und Cello
- Partitur und Stimmen
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These exceptionally beautiful quartets (HH67, HH68 and HH69) are both elegantly and skilfully written with musically-interesting parts for all the players. They thus provide an essential core to the f...
These exceptionally beautiful quartets (HH67, HH68 and HH69) are both elegantly and skilfully written with musically-interesting parts for all the players. They thus provide an essential core to the f...
- Querflöte, Violine, Viola und Cello
- Partitur und Stimmen
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- Querflöte, Klarinette, Violine, Cello, Percussion und Klavier
- Partitur
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- Querflöte, Klarinette, Violine, Cello, Percussion und Klavier
- Stimmensatz
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- Gesang (hoch), Klarinette, Viola, Schlagzeug und Klavier
- Partitur
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Idées fixes, réminiscences et résidus was commissioned by the Ensemble Contemporain de Montréal with funds from the Canada Arts Council. The work was premiered by the ECM and its conductor Véronique L...
Idées fixes, réminiscences et résidus was commissioned by the Ensemble Contemporain de Montréal with funds from the Canada Arts Council. The work was premiered by the ECM and its conductor Véronique L...
- Ensemble
- Partitur
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This very fine concerto is remarkable for its powerful expression associated with the minor mode, for its active contrapuntal writing, and for its rich chromatic harmony.
This very fine concerto is remarkable for its powerful expression associated with the minor mode, for its active contrapuntal writing, and for its rich chromatic harmony.
- Violine, Streicher und Basso Continuo
- Partitur
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Streicher-Ergänzungssatz This very fine concerto is remarkable for its powerful expression associated with the minor mode, for its active contrapuntal writing, and for its rich chromatic harmony.
Streicher-Ergänzungssatz This very fine concerto is remarkable for its powerful expression associated with the minor mode, for its active contrapuntal writing, and for its rich chromatic harmony.
- Violine, Streicher und Basso Continuo
- Stimmensatz - Streicher
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This very fine concerto is remarkable for its powerful expression associated with the minor mode, for its active contrapuntal writing, and for its rich chromatic harmony.
This very fine concerto is remarkable for its powerful expression associated with the minor mode, for its active contrapuntal writing, and for its rich chromatic harmony.
- Violine, Streicher und Basso Continuo
- Stimmensatz
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This fine concerto shares its motto with Tomaso Albinoni's oboe concerto in G minor Op. 9 No. 8, published in 1722, and with Antonio Vivaldi's violin concerto in G minor, RV 317, published in 1729 as...
This fine concerto shares its motto with Tomaso Albinoni's oboe concerto in G minor Op. 9 No. 8, published in 1722, and with Antonio Vivaldi's violin concerto in G minor, RV 317, published in 1729 as...
- Violine, Streicher und Basso Continuo
- Partitur
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This fine concerto shares its motto with Tomaso Albinoni's oboe concerto in G minor Op. 9 No. 8, published in 1722, and with Antonio Vivaldi's violin concerto in G minor, RV 317, published in 1729 as...
This fine concerto shares its motto with Tomaso Albinoni's oboe concerto in G minor Op. 9 No. 8, published in 1722, and with Antonio Vivaldi's violin concerto in G minor, RV 317, published in 1729 as...
- Violine, Streicher und Basso Continuo
- Stimmensatz
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While one tends to associate the trio sonata for two violins and continuo with Italy, the trio sonata for flute, violin and continuo was largely the province of German composers (including Telemann, J...
While one tends to associate the trio sonata for two violins and continuo with Italy, the trio sonata for flute, violin and continuo was largely the province of German composers (including Telemann, J...
- Querflöte, Violine und Basso Continuo
- Partitur und Stimmen
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- 2 Violinen, Kontrabass und Basso Continuo
- Partitur und Stimmen
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- 2 Violinen, Viola, Cello und Basso Continuo
- Partitur und Stimmen
- Edition HH Limited
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Streicher-Ergänzungssatz Here presented as a colourful orchestral suite, these preludes dating from Scriabin's European tours of 1894-95 lend themselves delightfully to the small orchestra.
Streicher-Ergänzungssatz Here presented as a colourful orchestral suite, these preludes dating from Scriabin's European tours of 1894-95 lend themselves delightfully to the small orchestra.
- Orchester
- Ergänzer Streicher
- Per Hartmann
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Here presented as a colourful orchestral suite, these preludes dating from Scriabin's European tours of 1894-95 lend themselves delightfully to the small orchestra.
Here presented as a colourful orchestral suite, these preludes dating from Scriabin's European tours of 1894-95 lend themselves delightfully to the small orchestra.
- Orchester
- Stimmensatz
- Per Hartmann
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