G. Schirmer

For String Orchestra (5-5-3-3-3).

Charles Ives' Postlude In F for Orchestra. Score and parts. The Postlude in F, composed in 1895, is Charles Ives' earliest known work for large Orchestra. It is based onanearlier Organ piece, which I...

Perfect for the beginning guitarist, this book features easy-to-read diagrams of the most commonly used chords. Also includes information on chord progressions, tuning, playing by ear, bass notes, tra...

Orchestral reduction and solo part arranged by Williams for Two Pianos, Four Hands. Includes separate parts for each player.

Two Pianos, Four Hands. 2 Copies needed to perform.

Orchestral reduction and solo part arranged by Harbison for Two Pianos, Four Hands. 2 Copies needed to perform.

Orchestral reduction and solo part arranged by Chàvez for Two Pianos, Four Hands. 2 Copies needed to perform.

Two Pianos, Four Hands. 2 Copies needed to perform.

Two Playing Scores Quarter-tone work with eerie effects and dissonances that are both expressive and startling. In three movements: I. Light, II. Shadows, III. Strobe. ca. 12 minutes.

Two intermediate piano duets to supplement any piano method, these original pieces are, like the Textures for Piano series, based on a repeated bass line or textural idea.

Includes set of parts for each player.

Orchestral reduction and solo part arranged by Harbison for Two Pianos, Four Hands. 2 Copies needed to perform.

Mozart's Piano Concerto No. 22 In E Flat K. 482 was composed in December 1785, and is a truly stunning work which explores the sonorities of the instrument. From Schirmer's Library of Musical Classics...

Version for Two Pianos, Four Hands.

Two Pianos, Four Hands. 2 Copies needed to perform.

Kaleidoscope was first performed at the festival Of Two World at Spoleto, Italy, 1961.

Paul Creston's Fantasy for Piano and Orchestra is here arranged for two pianos. Two copies provided.

An arrangement for 2 Pianos of the second Piano Concerto by Edward Macdowell.

Two copies needed for performance.

Nine characteristic pieces for 3 - 6 pianos, for use in any piano class. Pieces work well in monster recitals - also try them for sight-reading!

For Percussion duo (not the concerto of the same title). What determines the special character of a piece of music written for percussion instruments is the very choice of sets of instruments. In Udac...

For 2 snare drums, 2 bass drums, cymbals and marching machine.

Set of performance scores

This piece was written for and premiered by the New England Conservatory Percussion Ensemble, conducted by Frank Epstein, in April 2003.