G. Schirmer

This piece available for SSATTB, SSAA and TTBB.

How Like a Winter Hath My Absence Been, for SSSAAA a cappella, was Composed by Matthew Harris and is Shakespeare text set to music. For Choral (SSA Div A Cappella).

Text by George Eliot. 5 minutes.

With a special connection to the poetry of Langston Hughes, Kirke Mechem has written a new, a cappella spiritual. Opening with a musical statement by a soprano soloist, the soloist is featured through...

Jameson Marvin, through his work with Harvard and Radcliffe, has re-established the importance of teaching polyphony in the modern choral classroom. This beautiful setting of the Magnificat by Palestr...

Jameson Marvin, through his work with Harvard and Radcliffe, has re-established the importance of teaching polyphony in the modern choral classroom. This beautiful setting of the Magnificat by Palestr...

This arrangement of the popular English Folk Song, originally known as Sovay Sovay tells the story of a young woman who takes matters into her own hands in order to find out if the man she loves truly...

This arrangement of the popular English Folk Song, originally known as Sovay Sovay tells the story of a young woman who takes matters into her own hands in order to find out if the man she loves truly...

This beautiful piece by Tobin Stokes is loosely based on the five stages of grieving by Elisabeth Kubler-Ross. The first section of the music, set for 6-part treble choir on the text Hear my prayer, O...

The green movement seems so contemporary, it comes as a shock to find the words of this music were written by Hildegard von Bingen of the 12th century. Kirke Mechem has created a round that cleverly e...

The green movement seems so contemporary, it comes as a shock to find the words of this music were written by Hildegard von Bingen of the 12th century. Kirke Mechem has created a round that cleverly e...

With a text by the composer, this is a delightful kaleidoscope of musical snippets that highlight the joys of choral singing! Melody, harmony, counterpoint, we can sing ANYTHING! Ta-dah!

With a text by the composer, this is a delightful kaleidoscope of musical snippets that highlight the joys of choral singing! Melody, harmony, counterpoint, we can sing ANYTHING! Ta-dah!

This buoyant madrigal-like setting of the Thomas Hood text offers a wonderful opportunity for choirs to practice light and articulate singing. There is wonderful contrast between the lively passages a...

This buoyant madrigal-like setting of the Thomas Hood text offers a wonderful opportunity for choirs to practice light and articulate singing. There is wonderful contrast between the lively passages a...

Originally written for SATB a cappella, new arrangements with piano accompaniment make this wonderful new carol accessible to all choirs.

Originally written for SATB a cappella, new arrangements with piano accompaniment make this wonderful new carol accessible to all choirs.

A mass by the well-liked Brazilian composer for 3-part choir, a cappella, of women's voices, boys' voices or men's voices (although scored for SSA, each part may be doubled at the octave).

Samuel Barber's Let Down The Bars, O Death for Mixed Chorus A Cappella. Based on a poem by Emily Dickinson.

Jakobus Gallus' or Jacob Handl's Ascendit Deus or God Goes Up On High is an anthem for Ascensiontide, which has been beautifully arranged for SATBarB Choir a cappella by Frank Burkhart. The text is in...

Alan Hovhaness' Praise Ye The Lord for SATB choir a cappella. This work features words from Psalm 106:1.

Alan Hovhaness' setting of Psalm 75:1, Unto Thee, O God, for SATB choir a cappella.

Alan Hovhaness' setting of Psalm 83:1, Keep Not Thou Silence, for SATB choir a cappella.

Halsey Stevens' Like As The Culver On The Bared Bough, a sonnet for Five Part Chorus of mixed voices (SSATB) a cappella.

Leland B. Sateren's Seek Not Afar For Beauty for SATB choir a cappella. This piece features words by Minot J. Savage.