Gerard Billaudot

Sixteenth-century composer Lodovico Viadana created this wonderful work that is now a choral performance classic, performed regularly by choirs throughout the world. Earlene presents this new setting...

Sixteenth-century composer Lodovico Viadana created this wonderful work that is now a choral performance classic, performed regularly by choirs throughout the world. Earlene presents this new setting...

Norwegian Folk Song / arr. Harris

Norwegian Folk Song / arr. Harris

Gawthrop

Gawthrop

The need to provide our students with exposure to the music of all of the world's cultures has never been greater. Lana Walter brings us this rhythmic work for women's choir from Kenya. All of its aut...

The need to provide our students with exposure to the music of all of the world's cultures has never been greater. Lana Walter brings us this rhythmic work for women's choir from Kenya. All of its aut...

A new treatment for women's choir of this renowned Scottish air. Beautiful, flowing harmonies and solo opportunities combine to create a lush yet sensible setting of this classic folk favorite. Gentle...

A new treatment for women's choir of this renowned Scottish air. Beautiful, flowing harmonies and solo opportunities combine to create a lush yet sensible setting of this classic folk favorite. Gentle...

This well-known song by Praetorius from the German Renaissance period has long been a part of our choral repertoire. Russell Robinson has created an easy-to-sing SATB setting as well as a three-part m...

Ein Muss für jede Chorbibliothek! Diese klangvolle, unkomplizierte Vertonung unserer Nationalhymne wird sich über Jahre hinweg bei vielen Gelegenheiten als nützlich erweisen. Dr. Robinsons sehr prakti...

Jeff Funk's choral adaptation of this selection from The Nutcracker Suite was a huge success in its original SATB setting. Now Jeff brings us both men's (TTBB) and women's (SSAA) editions that will pr...

Fluid vocal lines and a sensitive text both shine in this powerful, yet heartfelt, recollection of a loved one no longer here with us. Perfectly capturing the essence of love that lives forever, it is...

This widely performed Renaissance masterpiece is available for the first time in an SAB edition. Set in the original key of F major, the beauty of Palestrina's polyphonic writing is maintained while m...

A syncopated opening bass lick lays the groundwork for this quintessential a cappella spiritual. When the other voices join, we begin a journey of texture, harmonic development, and form, indicative o...

In diesem einzigartigen A-cappella-Original entwickelt sich ein einziges Thema zu einem Kaleidoskop musikalischer Texturen. Das vollständig auf neutralen Silben gesungene Stück beginnt im Unisono, erk...

Der traditionelle lateinische Text "Ewiges Licht" wird in diesem kunstvollen A-cappella-Werk der zeitgenössischen Chorkomponistin Ruth Morris Gray wunderbar zum Leben erweckt. Mit viel Raum für Rubato...

Lush harmonies beautifully support this expression of Christ's amazing love, particularly in the a cappella setting of the second stanza, and the accompaniment is also reflective of our Savior's etern...

Philip Kern skillfully weaves together two familiar spirituals, Ezekiel Saw The Wheel and There Is A Little Wheel A'Turning In My Heart, to create a choral gem. The voices sing each melody separately,...

Philip Kern skillfully weaves together two familiar spirituals, Ezekiel Saw The Wheel and There Is A Little Wheel A'Turning In My Heart, to create a choral gem. The voices sing each melody separately,...

Philip Kern skillfully weaves together two familiar spirituals, Ezekiel Saw The Wheel and There Is A Little Wheel A'Turning In My Heart, to create a choral gem. The voices sing each melody separately,...

Philip Kern skillfully weaves together two familiar spirituals, Ezekiel Saw The Wheel and There Is A Little Wheel A'Turning In My Heart, to create a choral gem. The voices sing each melody separately,...

Russell Robinson has carefully edited this 17th Century madrigal for today's 3-part choirs. The key has been lowered a fourth, allowing part I to sing in a comfortable, one-octave (D-D) range. It also...