Noten von Kendor

Great music keeps coming back in many different arrangements, and this classic march by Kenneth Alford from the film Bridge Over The River Kwai being no exception. The arranger has kept the style of t...

As arranged here by Jay Krush, founding member of the Grammy Award-winning Chestnut Brass Company and teacher of tuba and euphonium at Temple University (Philadelphia, PA), Mancini's famous movie them...

In a variety of styles, titles include: Amazing Grace, National Emblem March (Bagley) and Rondo (Mozart).

Available in three new editions, this Camille Saint-Saens transcription will definitely be a hit with grade 4 ensembles. Excellent for concert or contest programming, the energy and delightful contras...

With strong melodies, accessible ranges (A5 trumpet, A4 trombone), and lots of tutti writing to boost player confidence, this appealing original in ABA form features a buoyant 'A' theme in 6/8 and a l...

As recorded by the Brass Arts Quintet on Shazam! (Mark Custom Recordings 4365-MCD), this grade 5+ piece is a guaranteed audience charmer. This arrangement of Herbert L. Clarke's popular cornet showpie...

This arrangement of Duke Ellington's tune has interesting parts for all players. There are solos, solis, and tutti passages with give added excitement to this great melody. After the first chorus and...

This grade 3+ medley of four Irish pieces is written for 2 Bb trumpets, horn in F, trombone and tuba. Beginning with the doleful Old Skibbereen, the exuberant Kerry Dance follows. Next the beautiful M...

Mozart's Divertimento No. 2, KV. 299 has been splendidly adapted for woodwind quartet. This arrangement can be played by quartets consisting of flute, oboe, clarinet, and bassoon or 2 flutes, clarinet...

This grade 4 collection includes arrangements of five short character pieces originally written for piano by Robert Schumann and Franz Schubert in a variety of light Romantic-era styles. Instrumentati...

The Rondo movement from Ludwig van Beethoven's Pathetique Sonata (No. 8, Op. 13) is one of the most beautiful and exciting pieces of all time. This grade 4+ edition, expertly arranged by Gregory Yasin...

Ludwig van Beethoven created powerful, noble forms of melody, harmony, rhythm and orchestration in his Symphony No. 5. These elements adapted for woodwind quintet provide a fresh setting of this celeb...

This arrangement of Scott Joplin's most famous ragtime hit will be a welcome highlight on any program. Perfect as an encore number, it will be as fun to listen to for the audience as it is to perform.

In print for over 40 years, this popular version of the famous Carmen theme assigns the rhythmic ostinato to bassoon while the remaining parts share melodic material. To achieve optimum success, all a...

Written for beginning students in 1969, this original tribute to the music of Bela Bartok is scored in cut-time using quarter notes, half notes and whole notes only on repeated pitches or step-wise sc...

Perfect for contest or recital presentations, this arrangement of Franz Joseph Haydn's great classic presents two exciting movements: I. Allegro Moderato and IV. Finale. All melodic ornaments are clea...

Written in 1788, this symphony is familiar to most people as it has been featured often in television and movie soundtracks. This beautiful arrangement of the third movement is an important addition t...

Often referred to as the 'Great G Minor Symphony' (it's one of just two Mozart symphonies written in a minor key), the 4th movement features a brisk tempo in cut time. The developmental section includ...

Popularized in Disney's 1940 animated classic Fantasia, this programmatic masterpiece written by Paul Dukas in 1896 builds gradually to an intense finish.

This lighthearted original gives players outside normal jazz circles a chance to swing with the best of them. As is true of all of Lennie's ensemble materials, the parts in these quintets are an inter...

A lyrical section provides important stylistic contrast in this otherwise brisk, lively piece for grade 3 ensembles. All players share the lead material, and the multicultural appeal will make it very...

Written for and premiered by James Stoltie at the 1979 World Saxophone Congress, this solo features long, flowing lines, contrasts in tone color and dynamics, and a creative dialogue with piano.

Starting and ending with a slow, bluesy theme, the middle portion of this piece is a bright jazz waltz featuring an optional ad lib section (written lines also provided) for soloists with some improvi...

In this regal processional for young soloists, the crisp articulations of the main theme and the expressive lines of two short interludes gives this piece great overall appeal.

Issued in conjunction with the quartet from which it was derived, this solo-with-piano edition will be as popular with players as it is with audiences. Seductively playful is an apt description, and t...