Ludwig Music Publishing Company

Percy Grainger began work on Shepherd's Hey in 1908 for piano solo, published for the first time in 1911. Based on an English Morris Dance, the melody was collected by Cecil J. Sharp from the playing...

First performance at the XIII Olympic Winter Games 1980, Lake Placid, New York, by the Crane Chorus and Orchestra, State University College, Potsdam, New York. Instrumentation: SATB, 3 Trumpets, 3 Tro...

Composed for and dedicated to Dan Culpepper. Instrumentation: Horn (or Tuba), 2 Flutes (2nd doubles Piccolo), Oboe, English Horn, 2 Bassoons, 2 Clarinets, 2 Trumpets, Trombone, Harp, Double Bass, 3 Pe...

Composed for and dedicated to Dan Culpepper. Instrumentation: Horn (or Tuba), 2 Flutes (2nd doubles Piccolo), Oboe, English Horn, 2 Bassoons, 2 Clarinets, 2 Trumpets, Trombone, Harp, Double Bass, 3 Pe...

SUITE NO. 1 is part of Vaclav Nelhybel's ABC Series, a series conceived with the technical limitations of young performing groups in mind, carefully planning every structural composition device and us...

SUITE NO. 3 is part of Vaclav Nelhybel's ABC Series, a series conceived with the technical limitations of young performing groups in mind, carefully planning every structural composition device and us...

Also available for 12 Saxophones, Harpsichord (and/or Electric Piano), Voice (titled CONCERTO SPIRITUOSO NO.2).

Hier ist eines, das viele Last-Minute-Arrangements ersparen dürfte! Enthält: Trumpet Tune (Purcell); Trumpet Voluntary (Clark); La Rejouissance; Prelude From Te Deum; Hornpipe From Water Music; Rondea...

Anna Amalia of Prussia held various titles during her lifetime, including Princess and Abbess of Quedlinburg. Born in Berlin, she was one of ten surviving children of the royal family of King Frederic...

Camille Saint-Saëns (1835-1921) wrote this TARANTELLE (TARANTELLA), Op. 6 for flute, clarinet, and piano in 1857, and the salon piece showcases the composer's mature style despite his young age, which...

Robert Schumann (1810-1856) completed his Piano Trio No. 3, Op. 110, in Düsseldorf, Germany in 1851. He dedicated this work to Niels Gade, a prominent Danish composer, conductor and violinist. It prem...

The piano trio version of LA MUSE ET LE POÈTE, Op. 132 was written by Camille Saint-Saëns (1835-1921) in 1910 during a vacation to North Africa, and that version premiered at Queen's Hall on June 7, 1...

Dieses berühmte Harfensolo von Gabriel Faure (1845-1924), Op. 110, wurde 1918 komponiert. Der Titel UNE CHÂTELAINE EN SA TOUR (Eine Dame in ihrem Turm) entstammt einer Zeile aus einem Gedicht von Paul...

Zehn Arrangements für zwei Hebel- oder Pedalharfen für fortgeschrittene Spieler und aufwärts. Die Melodie wird gleichmäßig zwischen den Spielern aufgeteilt. Melodien, die für jede Veranda oder jeden A...

Ursprünglich von Ravel für Klavier solo geschrieben, hat J. Michael Leonard hier eine Version für Solo-Saxophon (Sopran, Alt oder Tenor) oder Klarinette und Klavier arrangiert.

Deux Arabesques, L. 66 was originally written for piano by Claude Debussy (1862-1918) in 1891 and sold over 100,00 copies in his lifetime, still remaining popular today. This woodwind quintet arrangem...

Giulio Briccialdi (1818-1881) gilt einhellig als einer der größten Flötenvirtuosen aller Zeiten und wird oft als "Prinz der Flötisten" bezeichnet. Sein Beitrag zum Flötenrepertoire ist überwältigend i...

This renowned overture by Mozart has been arranged for woodwind quintet by Lanny Pollet, Professor Emeritus at the University of Victoria and founding member of the Pacific Wind Quintet. Clarinet part...

This trio was created for the Mansfield Symphony Woodwind Trio to play at children's concerts. It tells the story of how during the American Revolution and Civil War young boys shouldered a rifle and...

The QUINTET FOR WIND INSTRUMENTS (BLÄSERQUINTETT) was completed in August 1924, and played for the first time on September 16, 1924. It is the first large work in which Schönberg has substantiated the...

The QUINTET FOR WIND INSTRUMENTS (BLÄSERQUINTETT) was completed in August 1924, and played for the first time on September 16, 1924. It is the first large work in which Schönberg has substantiated the...