Neil A. Kjos Music Company

Written in a rollicking 6/8 tarantella style, this accessible Luigi Denza work is a perfect choice for grade 3 mallet players searching for a solo to perform on a concert, recital, or festival program...

Series Mallet Solo. Grade 5 Features Mallet Solo (Unaccompanied). This haunting, rendition of the timeless favorite is scored for unaccompanied vibraphone soloists. Based on his own extensive performi...

Dedicated to and recorded by trumpeter Nicholas Payton on 'Gumbo Nouveau' (Verve), this familiar melody takes on new life in this refreshing swing treatment by Doug Beach and George Shutack. Scored at...

Scored for augmented jazz ensemble, this adaptation of the famous Scottish tune alternates between traditional 6/8 and swingin' 4/4 meters while the tempo remains constant. Good balance between woodwi...

Scored for augmented jazz ensemble, this adaptation of the famous Scottish tune alternates between traditional 6/8 and swingin' 4/4 meters while the tempo remains constant. Good balance between woodwi...

The limited range of notes used in the arrangements makes Easy Folk Songs For Any Instrument suitable for practically all instruments. Songs include All Things Bright & Beautiful, Au Clair de la Lune...

This fine collection consists of twenty-five of the very best Scottish Airs And Dance Tunes. Synonymous with Scotland and the highlands, these are evocative and enjoyable pieces and a wonderful additi...

Partitur = Klavierstimme.

Here's a rousing Pasadoble, which is a stately Spanish march style arranged for clarinet, piano, and optional castinets by Paula Corley, former Pedagogy Chair for the International Clarinet Associatio...

Fanfare and Processional is a rousing concert opener for younger bands in the vein of the familiar Pomp and Circumstance by Edward Elgar. Careful consideration has been given with respect to the techn...

Cave of the Winds was originally written by Robert Nathanial Dett as a march for piano and subtitled March and Two Step. Devon Morales arranged this boisterous, carnival romp with lightness and frivol...

Cave of the Winds was originally written by Robert Nathanial Dett as a march for piano and subtitled March and Two Step. Devon Morales arranged this boisterous, carnival romp with lightness and frivol...

This march was written for the Durham MS Band in Lewisville, TX, an enthusiastic group of young musicians, growing in their technique and musicality and eager to sound like "the big kids." Pride of th...

James Reese Europe (1881-1919) war ein einflussreicher New Yorker Bandleader und Komponist in den ersten beiden Jahrzehnten des 20. Jahrhunderts. Jahrhunderts. Bekannt wurde er als Mitbegründer des Cl...

March of the Realm uses a satisfying blend of dynamic contrasts and articulation variations to create a wonderful way for young musicians to play with independent parts. A great way to open a concert!

March of the Realm uses a satisfying blend of dynamic contrasts and articulation variations to create a wonderful way for young musicians to play with independent parts. A great way to open a concert!

March of the Realm uses a satisfying blend of dynamic contrasts and articulation variations to create a wonderful way for young musicians to play with independent parts. A great way to open a concert!

Diese Sammlung enthält 10 Klassiker und Originale für Spieler der Klassenstufen 2 bis 3. Die Musik wurde sorgfältig ausgewählt und bearbeitet, um sicherzustellen, dass sie für jedes Instrumentenpaar i...

Scored in D major, this winning march for first-year strings opens and ends with dramatic pyramid entrances from the bottom up -- cellos and basses first, then violas, then 2nd Violins, and finally 1s...

An excellent piece to introduce young string students to the regal "Maestoso" style.

This moderately-paced original in G has singable melody lines, well-articulated accompaniment figures, and interesting material for all. Some simple counterpoint adds depth and dimension, and the opti...

Designed as a first concert piece for beginners, this enduring favorite (released in 1968) limits rhythms to nothing shorter than a quarter note, includes no slurs, provides ample bowing reminders, an...

Built on the pentatonic scale, this exuberant march with an oriental flair will delight players and audiences alike. A combined 1st/2nd Violin part (16 copies in each set) promotes greater confidence...

The Zulu title of this popular South African folk hymn translates to We Are Marching. In this clever adaptation, the melody is first presented in all parts, then appears as a round backed by a rock-st...

Opening with a cello and bass introduction, this adaptation of the popular march theme demands a steady tempo, clearly-articulated bowings, and careful attention to accents and dynamics. It affords al...