Noten von Novello Publishing

Dulce Et Decorum Est is a work by composer Guy Farley, written for the 2016 film 'Anthropoid', directed by Sean Ellis. Arranged for Unaccompanied SATB Choir, the work is a setting of the Roman lyrical...

Jolly Good Ale is a work by John Joubert for Men's Voice choir (AATBBB). The work sets text by William Stevenson.

Richard Allain's A Perfect Friend for unaccompanied SATB choir. This piece is a setting of text by Robert Louis Stevenson. Duration: 3 minutes.

Richard Rodney Bennett 's Lullaby Baby is dedicated to the Choir of King's College, Cambridge. This work for SATB choir unaccompanied is a setting of text by John Phillip. Duration: 3 minutes.

Tarik O'Regan's Mass Observation was commissioned for the University of Michigan Chamber Choir, Jerry Blackstone, conductor, thanks to support from the William K. and Delores S. Brehm Choral Commissio...

The Bailiff's Daughter Of Islington (Sussex folksong) arranged by Harold Darke for unaccompanied SATB choir.

Tarik O'Regan's I Listen To The Stillness Of You is taken from his larger work 'Mass Observation'. Mass Observation was commissioned for the University of Michigan Chamber Choir, Jerry Blackstone, con...

Thomas Arne's Blow, Blow, Thou Winter Wind arranged by Desmond Ratcliffe for unaccompanied SATB choir. This work is a setting of text from As You Like It, Act 2, Scene 7 by William Shakespeare. Durati...

John Gardner's Four Rounds To Shakespeare Texts for SATB choir unaccompanied.

Henry Leslie's How Sweet The Moonlight Sleeps for SATB choir unaccompanied. This work is a setting of text from The Merchant Of Venice, Act 5, Scene 1 by William Shakespeare. Duration: approx. 2 1/2 m...

Kevin Olson's A Summer Sonnet for unaccompanied SATB choir. This work is a setting of Sonnet 18 by William Shakespeare. Duration: approx. 4 minutes. A Piano accompaniment is included for rehearsal pur...

Charles Wood' s Full Fathom Five for SATB choir unaccompanied. This work is a setting of text from The Tempest, Act 1, Scene 2 by William Shakespeare. Duration: 2 minutes. A Piano accompaniment is inc...

Footsteps by Owain Park was commissioned by Tenebrae with generous assistance from Arts Council England, PRS for Music Foundation, Santander Discovery Foundation Grant, Britten-Pears Foundation and Th...

The Lullaby from 'The Unicorns' arose from an opera libretto I commissioned from John Heath-Stubbs (1918-2006) in the late 1960s. In his story two unicorns are discovered in a remote part of Africa....

Dieser Titel stammt aus der Zusammenstellung French Songs And Choruses For Mixed-Voice Choir (NOV165198). Diese Lieder für unbegleiteten Chor wurden zwischen Dezember 1914 und Februar 1915 geschrieben...

To Seek Where Shadows Are is a work by composer Paul Mealor for Unaccompanied SATB Choir. The piece sets text from four poems by Christina Rossetti and lasts around 12 minutes.

Owain Park's For The Fallen for SSAATTBB unaccompanied choir, includes Piano accompaniment for rehearsal. Owain Park is a prize-winning composer, published byNovello. His music has been performed acr...

Six part-songs for SATB Choir A Cappella with divisions.

A first retrospective of Giles Swayne's challenging but rewarding liturgical settings. This album brings together five short religious choral settings, for mixed voices unaccompanied or with organ.

Motet for SATB Choir A Cappella, Commissioned by The Vaulkhard Choral Trust for The Choir Schools' Association and the Choir of Winchester Cathedral.

Motet for SATB Choir A Cappella, commissioned by Sam Hayes and the Choir of Queens' College, Cambridge in commemoration of Her Majesty Queen Elizabeth II becoming Patroness of Queens' College, Cambrid...

Motet for SATB Choir A Cappella, commissioned by Edward Higginbottom and the Choir of New College, Oxford.

Richard Rodney Bennett's setting of the eighteenth-century poem, The Apple Tree, for SATB chorus unaccompanied.

Commissioned by the Genesis Foundation, for The Sixteen and Harry Christophers. For SATB chorus, unaccompanied.

AATTBarBB unaccompanied choral piece with text by Richard Crashaw.