Oxford University Press Noten

Mit dieser jazzigen Theater-Suite bringt Bob Chilcott über Texte von Charles Bennett neuen Schwung in die Shakespeare-Charaktere Ophelia (aus 'Hamlet'), Caliban und Miranda (aus 'Der Sturm'). Im funki...

Mit dieser jazzigen Theater-Suite bringt Bob Chilcott über Texte von Charles Bennett neuen Schwung in die Shakespeare-Charaktere Ophelia (aus 'Hamlet'), Caliban und Miranda (aus 'Der Sturm'). Im funki...

In this jazzy setting of William Blake's Introduction to his Songs of Innoncence, Chilcott's extended harmonies and syncopated melodies bring new energy to the text, challenging the expectation of the...

In this jazzy setting of William Blake's Introduction to his Songs of Innoncence, Chilcott's extended harmonies and syncopated melodies bring new energy to the text, challenging the expectation of the...

This is a high energy, foot-tap inducing setting of a well-known text. The bluesy melodies, jazzy harmonies, and swung rhythms give the piece a gospel feel and fill you with the infectious urge to boo...

This is a high energy, foot-tap inducing setting of a well-known text. The bluesy melodies, jazzy harmonies, and swung rhythms give the piece a gospel feel and fill you with the infectious urge to boo...

This salute to the spirit of Louis Armstrong breathtakingly incorporates 'Basin Street Blues', 'Lady be good', 'Tiger Rag', 'When the saints go marching in', and more surprisingly excerpts from 'Clair...

'Slow Down' has a relaxed swing feel, with imaginative lyrics by the composer that encourage us to take time out of our busy lives. The vocal lines explore a swung quaver style, along with scat syllab...

Slow Down has a relaxed swing feel, with imaginative lyrics by the composer that encourage us to take time out of our busy lives. The vocal lines explore a swung quaver style, along with scat syllable...

Sing we and chant it sets the text of a well-known sixteenth-century madrigal of the same name by Thomas Morley in a jazz waltz style. Chilcott injects energy and fun into the piece through a quick th...

For SATB chorus and piano. This salute to the spirit of Louis Armstrong breathtakingly incorporates 'Basin Street Blues', 'Lady be good', 'Tiger Rag', 'When the saints go marching in', and more surpri...

Arranged here for unison voices and piano, this heartfelt setting is built upon a haunting melody of folk-like simplicity, underpinned throughout by a lyrical and independent accompaniment. Also avail...

This major work by one of Britain's leading choral composers was commissioned by St Mary's Cathedral, Edinburgh. The setting is terse and direct, in the manner of the Poulenc Mass, and the textures of...

Gabriel Jackson's is one of the most striking modern settings of this ancient text. The composer's trademark diversity of texture is much in evidence, with passages of rich sonority giving way to inti...

This setting of the well-known hymn text 'Christ the Lord is risen again!' features bright vocal lines and an energetic accompaniment. The scoring is flexible, allowing performance with either one or...

These charming settings of riddles by Bob Chilcott's long-term collaborator Charles Bennett were originally published as part of the environmental cantata The Angry Planet. Here rescored for two-part...

An original composition on a traditional and well-loved text, this is a pulsating, rhythmic piece that displays Tarney's keen sense of texture and lines that appeal to young singers. The harmonic lang...

This original suite, written for the Warwickshire Youth Choir, represents an extended concert item at the centre of the Emerging Voices series. It sets anonymous instructions found in packaging to gen...

This attractive piece for unison voices celebrates the wonder of the 'bright new moon'. The composer's own text, based on traditional Hebridean poems, is set to a simple, flowing melody, and the optio...

This is the key is a dramatic, narrative piece, perfect for children's and youth choirs. It can be sung in unison throughout, or the score contains options for two parts, sometimes singing alternating...

This is the key is a dramatic, narrative piece, perfect for children's and youth choirs. It can be sung in unison throughout, or the score contains options for two parts, sometimes singing alternating...

An entry-level piece, this arrangement of the well-known folk song provides a gentle challenge for two-part mixed choir of cambiata and baritone voices, with supporting piano accompaniment.