Oxford University Press

For violin, cello, and piano. The piece is a fairly athletic work in three movements. The first and third are very rhythmic, fast, and hauntingly jazz-like in a Miles Davis kind of way. The second mov...

Adapted from the Gospels of St Matthew and St Mark, Hosanna to the Son of David is a jubilant anthem with a lively, independent piano part. Adams employs dynamics as a word-painting tool, with a jubil...

La gora di mulino was commissioned for Chamber Music 2000. The Chamber Music 2000 works were designed to be technically easy, but still retain the composers own individuality and musical style. La gor...

In the 1940s and 50s 'four on the floor' referred to a high performance car with a four-speed gearbox and a gear-change mounted on the floor. And that is the characteristic of this piece - fast, loud,...

Newly edited edition, off-printed from the Walton Edition vol. 19 'Chamber Music'Performing edition of Walton's Piano Quartet, first published in 1918 and one of his first compositions to have survive...

Nightsongs is a hauntingly atmospheric response to the famous and magically beautiful gardens at Ninfa, created a century or so ago around the remains of an ancient settlement southeast of Rome.

The Piano Quartet No.1 was written in 1992 and is in one movement. The composer writes: While writing it I was reminded of painting where blocks of colour meet or where objects intersect, of the myste...

For piano quartet. This piece, the second written for the Schubert Ensemble, is constructed from a sequence of episodes which gradually expose a central monody. As the title suggests, the music has a...

For violin, cello, contrabass, and pianoIn the 1940s and 50s 'four on the floor' referred to a high performance car with a four-speed gearbox and a gear-change mounted on the floor. And that is the ch...

Setting a text by Elizabeth Barratt Browning, this thoughtful and evocative piece compares a dying relationship with the changing of the seasons from summer to winter. Also available in versions for s...

A simple yet subtle and thought-provoking text, written from the perspective of a child present at the Nativity, communicates the wonder of Christ's birth. Orchestral material is on hire.

Gounod's classic Christmas anthem is published here with a new arrangement of the Chorus part for SATB, alongside the Soprano and Alto soloists, Piano and optional Organ/Harmonium.

This arrangement of the well-known Christmas carol uses rich four-part harmonies with some canonic textures. This is an offprint from Benedict Sheehan's musical dramatization of A Christmas Carol.

Written as a surprise present for the Schubert Ensemble in celebration of their 30th anniversary, this playful piece for violin, viola, cello, bass, and piano has light-hearted references to Stravinsk...

This haunting carol comprises a sequence of three rounds. It demonstrates the distinctive clarity of Skempton's musical language. It will particularly appeal to good chamber choirs.

This beautiful arrangement of the 17th-century lullaby features subtle jazz inflections and artful imitation. The text seeks to create a calm and comforting atmosphere for sleep, which Parry emulates...

Originally scored for solo piano and full orchestra, Skempton's Piano Concerto has been arranged by the composer for quintet, broadening its reach to smaller ensembles. The work consists of five short...

Originally scored for solo piano and full orchestra, Skempton's Piano Concerto has been arranged by the composer for quintet, broadening its reach to smaller ensembles. The work consists of five short...

Traditionally sung on Christmas Eve, 'O Virgo virginum' is often described as the eighth ‘O’ Antiphon and praises Mary, ‘O virgin of (amongst) virgins.’ McDowall's setting is vigorous and joyful, with...

The five movements are like snapshots of different landscapes whose associations trigger fleeting memories and images including shadowy allusions to Mendelssohn, Haydn, Liszt, plainsong and gypsy musi...

Inspired by Rothko canvases, this 15 minute study starts by revolving around a high D, acting as a line of centrifugal force from which microtones pull away. Gradually little interruptions and playful...

In this work, the only published completion of Grieg's Piano Quartet in B-flat, we hear how Finnissy takes Grieg's style and weaves it together with modern expression and references to Grieg's contemp...

This work can be considered a partner work to the Finnissy/Grieg Piano Quintet completion. Rather than writing in the style of Grieg, as he did with the Piano Quintet completion, Finnissy starts from...

Written as a surprise present for the Schubert Ensemble in celebration of their 30th anniversary, this playful piece for violin, viola, cello, bass, and piano has light-hearted references to Stravinsk...