Oxford University Press

Scored for low voice and piano or organ, this setting of a Jewish text is simple but uplifting, and well-supported by a flowing keyboard accompaniment. Also available in a version for solo high voice.

Taken from Sanctum, a setting of the Requiem text for upper voices, 'Lux aeterna' features a simple and gentle melody, supported by a new piano part in this arrangement for solo voice. Also available...

This popular traditional French carol tells of the milkmaids Jeanette and Isabella, who run to tell the shepherds to come and see the baby Jesus in the stable.

This charming traditional Catalan carol is full of natural imagery exploring the return of spring. With both English and Catalan text, Wilberg's arrangement is scored for low voice and piano, captures...

Scored for low voice and piano, Wilberg's arrangement of this popular carol is bright and lively, supported by a tinkling piano accompaniment. Also available in a version for high voice and piano.

Scored for low voice and piano, Wilberg's arrangement of this traditional Basque carol is gentle yet charming, with expressive suspsensions in the supportive piano accompaniment. Also available in a v...

Scored for low voice and piano, Wilberg's arrangement of this familiar traditional melody is gentle and lilting, supported by rich harmonies and a mellifluous piano part. Also available in a version f...

Rutter's music captures the varied moods of Shakespeare's words, with their rapture, sorrow, humour, and vitality, in a way that makes these classic madrigal texts come alive for contemporary audience...

Rebecca Dale's reimagining of César Franck's Panis Angelicus was commissioned for the second instalment of Sonoro's Choral Inspirations project. Dale has drawn upon the harmonic framework of the origi...

In this compelling motet for the Feast of the Holy Trinity, Handl artfully embodies symbolism of the Trinity within the motet's structure.

A setting of haunting lyrical simplicity. An SATB version is also available. The accompaniment for strings is available on hire.

Orchestral material is available on hire. No. 2 of Two Hymns of Praise

This atmospheric setting of familiar words from Shakespeare's As You Like It is sprightly and uplifting, with singers being asked by the composer to perform with 'a bit of frost and a knowing smile'....

Set to words by the Estonian poet Doris Kareva, Our flags are wafting in hope and grief is a humanist anthem to the power of conviction and community in times of social turmoil.

This tender piece was composed in memory of the victims of Fukushima in 2011. It is both reflective and heartfelt, with a simple, appealing melody, rich harmonies, and a flowing accompaniment.

The Christmas motet Ex ore infantium was published with an organ continuo accompaniment, but the piece works equally well unaccompanied. The alternation of busy rhythmic writing with homophonic statem...

An old French carol with optional English lyrics included in the score. Orchestral scores and parts are also available. Offprinted from the collection Eight Christmas Carols Set 2.

The suggested programming for this anthem is ceremonies celebrating Jesus such as Ascension, Feast of Christ the King, and the Fourth Sunday in Advent. Some small changes were made to the dispensation...

This sensitive arrangement of a well-known Yiddish folksong introduces singers to the harmonic characteristics of Yiddish music. Clapping and body percussion is employed to great effect, and a pronunc...

Salisbury Vespers combines settings of the traditional Vespers psalms and anonymous early texts. Marian motets punctuate the psalm settings, and the work is concluded with a substantial setting of the...

An easy and original setting with an extremely memorable tune of the well-known Rossetti text. Also available in versions for solo high voice, upper voices, and mixed voices.

In this passionate four-movement work, composer Bob Chilcott and lyricist Delphine Chalmers explore themes of inclusivity, identity, and unity. Songs my Heart has Taught Me brings singers and audience...

Comprising four separate 'Lamentations', this work takes its text from John Donne's The Lamentations of Jeremy, and is set in Howard Skempton's characteristic pared-down style.