Oxford University Press

For violin and piano. From the first sporadic drops to showers, monsoons and drenching sheets, the instruments in this piece (the piano prepared with blu-tack) work closely together to effectively cap...

arranged for violin(s) or viola(s), and piano

For violin and piano. The composer writes: The structure is a short set of double variations, the two themes following a short introduction. One is flamboyant and rhetorical, the other gentle and lyri...

For unaccompanied violinThe work is in one movement and is a meditation on stone and light that begins and ends in stillness. The inner sections contain references to the final Kyrie of an 11th-centur...

In this exuberant solo work, the principal idea is an arching melody that explores the full range of the instrument.

For solo tenor saxophone. In this exuberant solo work, the principal idea is an arching melody that explores the full range of the instrument.

With a text by the composer, this work was inspired by members of the Radcliffe Ladies' Choir and their motto 'friendship through singing'.

This is a gentle and graceful anthem setting the well-loved words usually ascribed to St Francis of Assisi. It has been arranged for high voice from the composer's Lux Perpetua, a choral work on the t...

This secular work for solo low voice and piano sensitively sets Langston Hughes's poem of the same name. A lilting melodic line and an effective piano part combine to create a piece that will appeal t...

The style of this cantata suggests an early date with the use of a dance-form ariette typical in operas from Hamburg, including Handel's.

Settings of nine poems by Irene Noel-Baker which take and transform elements of Greek myths. The piece shifts from the mythological past to the present, just as the medium of voice and guitar suggest...

To a text from Seeing the World, a book of poety by Dick Davies.

Comprising 4 separate 'Lamentations', this work for bass voice and theorbo takes its text from John Donne's The Lamentations of Jeremy, and is set in Howard Skempton's characteristic pared-down style.

An easy anthem for low voice and piano or organ, this piece has a haunting simplicity with a flowing tune over a gently rocking accompaniment. Also available in a version for solo high voice.

Arranged here for solo low voice and piano or organ, this lyrical setting of a text by Colin Coppen has an elegant melody and flowing piano accompaniment. It would make a charming addition to any conc...

Scored for low voice and piano or organ, this setting of a Jewish text is simple but uplifting, and well-supported by a flowing keyboard accompaniment. Also available in a version for solo high voice.

Taken from Sanctum, a setting of the Requiem text for upper voices, 'Lux aeterna' features a simple and gentle melody, supported by a new piano part in this arrangement for solo voice. Also available...

This popular traditional French carol tells of the milkmaids Jeanette and Isabella, who run to tell the shepherds to come and see the baby Jesus in the stable.

This charming traditional Catalan carol is full of natural imagery exploring the return of spring. With both English and Catalan text, Wilberg's arrangement is scored for low voice and piano, captures...

Scored for low voice and piano, Wilberg's arrangement of this popular carol is bright and lively, supported by a tinkling piano accompaniment. Also available in a version for high voice and piano.

Scored for low voice and piano, Wilberg's arrangement of this traditional Basque carol is gentle yet charming, with expressive suspsensions in the supportive piano accompaniment. Also available in a v...

Scored for low voice and piano, Wilberg's arrangement of this familiar traditional melody is gentle and lilting, supported by rich harmonies and a mellifluous piano part. Also available in a version f...

Rutter's music captures the varied moods of Shakespeare's words, with their rapture, sorrow, humour, and vitality, in a way that makes these classic madrigal texts come alive for contemporary audience...