Oxford University Press

This book of poetry, written by a well-known US hymn writer, includes hymn texts, anthems, and poems for numerous occasions throughout the liturgical year. Organized by theme, this book includes pract...

The Oxford Reading Tree Song Book and CD presents Biff, Chip, and all the favourite Reading Tree characters in 48 catchy songs and activities based on the stories from Stages 1, 2, and 3. No musical k...

Set comprising 2 copies.

This energetic sacred anthem sets a verse from John Milton's 1629 ode 'On the Morning of Christ's Nativity' and is suitable as a celebratory anthem year-round. McDowall has mirrored the imagery of the...

In this joyous and colourful piano concerto, John Rutter both reflects, and reflects upon, the many soundworlds and styles that have inspired him. There are echoes of Ravel, Gershwin, Satie, Ibert, an...

The William Walton Edition is a collected edition of the works of one of England's finest and best-loved composers. Each work is newly edited and engraved, and checked against the composer's manuscrip...

Slip-stream was composed for Ensemble Bash. The vibraphone is the protagonist, opening the work with a melodic idea which serves as a refrain. Elsewhere, the glockenspiel and vibraphone are held toget...

For percussion quartet. This piece, for pitched percussion, does not reflect Fauvism in an obvious way, but is more of an exploration within a restricted number of musical 'colours'. Contrasts of dyna...

Same as We is a 'scena', a 'theatrical monologue', rather than a 'song'. Using text from Alfred Lord Tennyson's The Promise of May, it is intended that the piece be both dramatic and, albeit in a gene...

The text is drawn from the various editions of Whitmans's 'Leaves of grass' (1855-97), and interspersed with excerpts from 'Specimen Days'. Together they form an autobiography, in which both singer an...

Voice & piano/guitar This volume contains newly edited versions of all Walton's songs for voice and piano, together with Anon in Love for voice and guitar and songs from radio plays. It also includes...

Barry wrote this as a tribute to his teacher, the legendary composer Stockhausen who died in December 2007. Using text from a letter written by Beethoven in 1821, the sentiment and simplicity of the s...

This attractive carol has a tuneful melody with a slight modal feel. Opening with melody alone, sung solo or in unison, the carol builds up harmonically, moving from octave thirds to the rich, occasio...

Solo voice and piano A collection of short, accessible American pieces. There is great contrast of style: some lyrical and slow and others comical and lively. With these 17 pieces, soloists will never...

For voice and piano - The arranger, Warren Michel Swenson, writes, 'These versions are not intended to be 'improvements' on the originals. Stephen Foster needs no one's help. They are simply possibili...

For solo voice and piano - Cipullo's settings of poems by Billy Collins are, at turns, darkly humorous and touching. The New York Times has called his music 'haunting' and the Pittsburgh Post-Gazette...

This edition is complete, clear, and practical as well as being scholarly and authoritative. It returns to the primary sources to present the music and libretto as performed during the original Savoy...

35 newly composed descants and beautiful reharmonizations of our most treasured hymn tunes. Chosen for their denominational inclusiveness, these descants will cover all the main seasons and festivals...

Words by William Shakespeare

Born in New Orleans before migrating to Chicago, Mahalia Jackson (1911-72) is undoubtedly the most widely known black gospel singer, having achieved fame among African American communities in the 1940...

Sweet Mystery provides a new look into early twentieth century American theatre through one of its most prolific playwrights. The story of Rida Johnson Young (ca. 1869-1926) is told here in full by au...

Throughout his life, German-Jewish composer Kurt Weill was fascinated by the idea of America. His European works depict America as a Capitalist dystopia. But in 1935, it became clear that Europe was n...