Oxford University Press Noten

For percussion ensemble (4 players). Slip-stream was composed for Ensemble Bash. The vibraphone is the protagonist, opening the work with a melodic idea which serves as a refrain. Elsewhere, the glock...

For piano and two percussion

Same as We is a 'scena', a 'theatrical monologue', rather than a 'song'. Using text from Alfred Lord Tennyson's The Promise of May, it is intended that the piece be both dramatic and, albeit in a gene...

The text is drawn from the various editions of Whitmans's 'Leaves of grass' (1855-97), and interspersed with excerpts from 'Specimen Days'. Together they form an autobiography, in which both singer an...

Voice & piano/guitar This volume contains newly edited versions of all Walton's songs for voice and piano, together with Anon in Love for voice and guitar and songs from radio plays. It also includes...

This attractive carol has a tuneful melody with a slight modal feel. Opening with melody alone, sung solo or in unison, the carol builds up harmonically, moving from octave thirds to the rich, occasio...

für Unisono-Stimmen (mit opt. zweiter Stimme) und Klavier. Voices As One: Choral Songs macht außergewöhnliche weltliche Musik von führenden Chorkomponisten aus Oxford für jeden Chor zugänglich. Mit pr...

For solo voice and piano - Cipullo's settings of poems by Billy Collins are, at turns, darkly humorous and touching. The New York Times has called his music 'haunting' and the Pittsburgh Post-Gazette...

For solo voice and oboe - Wings of the Grasses was composed as a companion piece to A Girl's Song to her Mother. Each piece recalls the open, high moorland of South Wales. In A Girl's Song to her Moth...

This edition is complete, clear, and practical as well as being scholarly and authoritative. It returns to the primary sources to present the music and libretto as performed during the original Savoy...

For unaccompanied female voice. The five short songs which make up this work are all settings of translations of Chinese poetry from the Tang dynasty (618-906AD) and several of them are about the sepa...

For voice and piano. The text is drawn from the various editions of Whitmans's 'Leaves of grass' (1855-97), and interspersed with excerpts from 'Specimen Days'. Together they form an autobiography, in...

Counter-T (Mez/A), Klav -

Words by William Shakespeare

This revised, updated, and expanded edition of the definitive catalogue of works by Sir William Walton (1902-83) follows the completion of the William Walton Edition. A comprehensive source of musical...

Short biography of the life of Benjamin Britten, Written by Chris Mark (University of Surrey, Guildford) 22 November 2013 = 100 years since birth

This stimulating guide will help students and their teachers to achieve stylish performances of music of the Baroque period. Individual chapters from leading experts focus on historical background, no...

This final volume in the complete William Walton Edition is a comprehensive listing of the composer's works, compiled by Stewart Craggs, consultant for the Edition. It gives dates and details for comp...

ABRSM's official Model Answers are a useful resource for students and teachers preparing for ABRSM Music Theory exams. This Grade 1 collection contains answers for the four practice papers published i...

Theory Aural Training in Practice offers valuable support to teachers preparing students for ABRSM Practical exams. The three volumes, covering Grades 1-3, Grades 4 & 5 and Grades 6-8, provide:/> info...

Anna Butterworth's new book is designed to provide a businesslike and efficient presentation of all the harmonic and musical styles which are needed for A-level and university entrance . . . illustrat...

This book provides a businesslike and efficient presentation of all the harmonic and musical styles which are needed for A-level and university entrance. Stylistic Harmony is a chronological harmony c...

For SATB and piano or brass a 8 (4tpt, 3bn, tba, perc) or brass a 5 (2tpt, hn, tbn, tba) or orchestra (2. 2. 2. 2-4. 2. 3. 1-Perc-Str). Material for brass and for orchestra is available on hire.

Combining texts by Christina Rossetti and Robert Burns, this mixed voice version retains the upper-voice opening of the original, with the latter section being expanded into mixed-voice harmony. Also...

Exhibiting Chydenius's unique style, this contemplative ballad sets a wistful text by American lyrical poet Sara Teasdale. The close harmonies, persuasive melodies, and appealing syncopations in the v...