Oxford University Press Noten

From the collection Solo Time for Violin Book 2, this misterious moto perpetuo is an original and highly effective study by the authors of the celebrated String Time series.

From the collection Solo Time for Violin Book 3, this Baroque Allegretto is a highly effective arrangement of a keyboard fantasia in ritornello form.

From the collection Solo Time for Violin Book 2, this lively jig, arranged for violin and piano, is by the Italian Baroque violinist and composer Arcangelo Corelli.

Isaac Albéniz's original composition for piano is here arranged for violin and piano. Moorish melodic inflections evoke the traditional music of the composer's native Spain, and brilliant instrumental...

From the collection Solo Time for Violin Book 3, this piece is the first section - a minuet in all but name - from the third movement of Mendelssohn's 'Italian' symphony.

Tauchen Sie ein in die mitreißende und ausdrucksstarke Welt der Klezmer-Musik! Mit „Odessa Bulgar“ für Violine und Klavier bringen Sie ein echtes musikalisches Feuerwerk auf die Bühne. Ursprünglich au...

From the collection Solo Time for Violin Book 2, this prelude is an arrangement of the fourth of a set of six preludes for harpsichord by Bach, skillfully arranged here for violin and piano.

From the collection Solo Time for Violin Book 3, this Baroque presto is adapted from the last movement of Handel's Keyboard Suite No. 3 and arranged in the style of a violin concerto movement, with 't...

Taken from the collection Solo Time for Violin Book 2, this graceful jazz waltz is an original composition by the authors of the celebrated String Time series.

This arrangement for violin and piano of a keyboard piece carries the three-part contrapuntal texture typical of Bach's sonatas for violin and keyboard. From the collection Solo Time for Violin Book 3...

From the collection Solo Time for Violin Book 2, this arrangement beautifully preserves the style of Czech folk music found in Dvo?ák's original, and the contrast of major and minor sections.

From the collection Solo Time for Violin Book 2, this arrangement for violin and piano is of the aria ('Mon coeur s'ouvre a ta voix') from the grand opera Samson and Delilah by Saint-Saëns. Enjoy the...

From a composer better known for his large-scale works, this inspired miniature was originally written for piano, but is here arranged for violin with piano accompaniment. From the collection Solo Tim...

From the collection Solo Time for Violin Book 3, this set of variations is based on the theme from the slow movement of Haydn's 'Surprise' Symphony (No. 94). A tongue-in-cheek nod to the 18th- and 19t...

From the collection Solo Time for Violin Book 2, this arrangement captures the gentle nature of this evocative English folksong in triple time.

From the collection Solo Time for Violin Book 3, this abridged arrangement of the 'Valse Caressante' ('Tender Waltz'), a light-hearted salon piece, is from Respighi's Six Pieces for Violin and Piano.

Originally published in Violin Jazz on a Winter's' Night, this version the popular 'Sans Day Carol' is arranged by celebrated jazz musician and composer Nikki Iles. Written in a gentle South African t...

Originally published in Violin Jazz on a Winter's' Night, this celebrated version of 'Silent Night' is arranged by celebrated jazz musician and composer Nikki Iles. Scored for (intermediate) violin an...

This lively setting of a traditional 19th-century English text (interspersed with a Latin refrain) recaptures the spirit of Bullard's earlier Angel Alleluias. With its straightforward harmony, snappy,...

This serene romance is one of Vaughan Williams's most enduring popular works. Taking its title from a poem by George Meredith, the music perfectly evokes the lark's 'chirrup, whistle, slur, and shake'...

This reflective and affirmatory communion motet features fluid shifts between 3/4 and 4/4 time signatures and expressive melodic lines that are often underpinned by a drone.

In this exuberant solo work, the principal idea is an arching melody that explores the full range of the instrument.

Settings of nine poems by Irene Noel-Baker which take and transform elements of Greek myths. The piece shifts from the mythological past to the present, just as the medium of voice and guitar suggest...

To a text from Seeing the World, a book of poety by Dick Davies.

An easy anthem for low voice and piano or organ, this piece has a haunting simplicity with a flowing tune over a gently rocking accompaniment. Also available in a version for solo high voice.