Oxford University Press Noten

This profoundly beautiful setting by John Rutter of one of the earliest English prayers, from the Sarum Primer of 1514, is presented here in German translation.

This tender and affectionate setting of the well-loved poem of the same title by Robert Burns was written specifically for a wedding, but would suit almost any occasion.

This delightful work tells the story of the 14th-century Dominican mystic Heinrich Suso who, according to legend, notated the carol In dulci jubilo after it had been sung to him by a band of angels; h...

Setting a love poem by W. B. Yeats, Tread Softly is a charming addition to the upper-voice repertory. Featuring melodic vocal lines, luscious harmonies, and rhythmic contrasts, this piece is suitable...

This jubilant arrangement of Deck the halls is an offprint from Benedict Sheehan's musical dramatization of A Christmas Carol.

A short movement from Vaughan Williams's Christmas cantata, 'Hodie'.

This uplifting and affirmatory piece sets a text by the composer inspired by the reflections of the Northwest Girlchoir on what their choir means to them. A gradual building of choral texture creates...

This exciting piece was composed as a television theme in 1959. Like an Elgar Pomp and Circumstance march, it alternates punchy fanfare textures with a warm and supremely 'English' melody. In the hand...

This gentle anthem is built around a warm, hymn-like refrain, which gives way first to a free-flowing and expressive section and then to a more sombre section. With a Latin text from Ruth 1, this affe...

The text is from Ecclesiasticus.

Skilfully set to tender words by the poet e e cummings, 'I carry your heart', this piece was commissioned by the acclaimed close-harmony group, The King's Men, and was recorded on their album Love fro...

This work is classic Chilcott - vibrant, fresh, and great fun. It is an exuberant setting of the well-known carol in which the 'five gold rings' refrain is re-written to appear in an array of guises:...

The O nata lux text is taken from a 10th-century anonymous hymn that uses the concept of light to symbolise hope, a particularly pertinent theme for Advent. Throughout this setting the sopranos intert...

Sing we and chant it sets the text of a well-known sixteenth-century madrigal of the same name by Thomas Morley in a jazz waltz style. This is an offprint from the four-movement work Little Jazz Madri...

This work presents two contrasting yet coherent motets: The joyful 'Confirma hoc Deus', with its jubilant, melismatic motif; and the solemn 'Factus est', which features aleatoric sequences set against...

This Marian piece opens with an extended soprano passage, underpinned by soft yet characterful organ writing. Several hallmarks of Jackson's style are evident, including soaring, melismatic soprano li...

In this beautiful setting, Latvian composer Laura Jekabsone presents a modern, popular take on Henry John Gauntlett's familiar carol text. The piece is led by two soloists (one upper voice, one lower...

This jubilant setting of Cecil Frances Alexander's classic text is based on a 17th-century English melody. The SA vocal parts retain an elegant simplicity, while the piano part rings out beneath with...

This is a gentle and tranquil setting of a poem from William Blake's Songs of Innocence. Combining a soft melody, subtle harmonic nuances, and a simple, repeated motive in the piano, the music perfect...

This tender piece was composed in memory of the victims of Fukushima in 2011. It is both reflective and heartfelt, with a simple, appealing melody, rich harmonies, and a flowing accompaniment. Also av...

This meditative, folk-style anthem is given a Scottish lilt through the use of Scotch snap rhythms and held drone-like vocal lines. McDowall chose to set this traditional Scottish Gaelic Blessing for...

With a simple, appealing melody and a flowing accompaniment, The Colours of Christmas evokes a touching sense of longing for the joys of the festive season.

This is an exciting and accessible anthem based on the popular hymn and set in the rhythmic metre of 7/8. The text, written by Charles Wesley, is suitable for services throughout the church's year.