Oxford University Press Noten

Bach for Violin contains a varied collection of 14 attractive and popular pieces arranged for upper-intermediate standard violinists (Grades 5-7), exploring a range of keys, finger patterns, styles, a...

For violin or viola or cello, and piano

Originally published in Oxford Solo Songs: Sacred, this is a popular movement from John Rutter's Requiem arranged here for solo low voice and piano (which may be adapted for performance on the organ)....

Arranged here for solo high voice and piano or organ, this heartfelt setting is built upon a haunting melody of folk-like simplicity, underpinned throughout by a lyrical and independent accompaniment....

Scored for high voice and piano or organ, this is a moving, traditional Irish blessing set to music of great simplicity and beauty. Chilcott perfectly captures the warmth and sincerity of the text, an...

Unison children's choir, SATB choir, piano Combining texts by Christina Rossetti and Robert Burns, this mixed voice version retains the upper-voice opening of the original, with the latter section bei...

A tender and lovely setting which is easy to sing. Particularly appropriate for weddings. The orchestral material is available on hire.

For SATB (with divisions) and piano. This charming French carol (with E.C. Nunn's English translation) tells of the milkmaids Jeanette and Isabella, who run to tell the shepherds to come and see the b...

Exploring different times of the day and the four seasons, Times and Seasons contains eight songs in unison or two parts. Suitable for performance as a suite or as stand-alone pieces, these songs are...

Gabriel Jackson kontrastiert in 'Vox clara ecce intonat' (''Hört einer hellen Stimme Klang') den homophonen Chorsatz mit leichten Einwürfen des Sopransaxophons. Das Ergebnis ist eine ruhig fließende K...

This work is by turns joyous and reflective. Rich harmonies, shifting tonalities, and expressive melodies combine to evoke the changing moods explored within the text. The poignant Andante section giv...

This is a simple and elegant miniature in characteristic Skempton style, with graceful choral homophony, seamlessly fluctuating time signatures, and hypnotic, meandering harmonies. The text, by Willia...

This expressive and tender carol, with options for singing in Swedish and English, evokes the innocence of the newborn child. A version for SATB voices is published separately and an orchestral accomp...

This piece was composed in 1977 and combines Langston Hughes's evocative 'Words like Freedom' with excerpts from three of his other poems. The piece includes significant solos for soprano and baritone...

With its evocative piano accompaniment, this piece is wonderfully understated and sincere, in keeping with the sentiment of the original, and is sure to raise a tear or two from any audience. The acco...

S. solo) and piano. Written for the California Junior High All-State Honor Choir, this piece sets a motivational text by the composer on the theme of embracing new opportunities and, using the metapho...

Michael Higgins' arrangement of How can I keep from singing? is a calm and flowing reimagination of Robert Lowry's well-known melody. Flexibly arranged, with options for an unaccompanied section and d...

For soprano solo, SATB, piano, bass, drums and optional alto saxophone Will Todd's Mass in Blue is a dynamic, uplifting, and highly popular jazz setting of the Latin mass. The Jazz Trio Set includes p...

These beautiful motets provide inspiring new repertoire for choirs. Locus iste is rhythmic and uplifting; Ave Virgo sanctissima is a gentle setting of a Spanish antiphon, full of sumptuous harmonies;...

For SATB chorus, organ, and optional brass ensemble (2 trumpets, 4 horns, 3 trombones, and tuba). The accompaniment for organ and brass ensemble is available on hire.

A piano transcription, made by the composer, of his much-loved 'A Gaelic Blessing'. Suitable for pianists at early intermediate level, the transcription includes the lyrics within the piano score, for...

The Suite is made up of six movements ranging from a 'Bach-like Aria' to a 'Richard Rodgers-style Waltz'. Evoking an 'antique' spirit, each movement is based on a Baroque or Classical style.

echo is musical celebration of human connectivity. It is singable, powerful, rhythmic, and contemplative. Wong reflects in her music and text the idea that 'the coming-together of many singers to a si...