Oxford University Press Noten

This arrangement for SATB chorus and piano has been created from two sources: a version for unison voices and piano, and A Song of Thanksgiving. Offprinted from Vaughan Williams for Choirs 2.

For SATBs, solo voice, piano, and percussion A brilliant choral celebration of seven American legends (Phillis Wheatley, George Washington, Jenny Lind, Harriet Beecher Stowe, Clyde William Thornbaugh,...

For SATB, flute, and piano. The flute part is printed in the vocal score. There is also an arrangement of this carol for SA, flute, and piano.

This beautiful and much-loved Somerset folk-song was originally from No. 2 of Five Traditional Songs arranged for mixed choir by John Rutter. Offprinted from John Rutter Choral Works for TTBB choirs.

Unison and SATB choirs, and piano/organ. This is an accessible piece that is both rich and moving. The unison line, which can be sung by a junior choir, has some short sections needing simple divisi.

A light arrangement in a 6/8 time signature of a traditional English Christmas Carol. Orchestral scores and parts are also available. Offprinted from the collection Eight Christmas Carol Set 2.

This anthem sets lines from Psalm 139, 1 Thessalonians, and 1 John, moving from an unsettled tonality at the beginning, through anguished false relations and wistful expressivity, to find triumphant r...

Music of Life is a vibrant setting of a poem by George Parsons Lathrop that describes how music underpins all earthly life. An active piano part provides an energetic undercurrent to compelling vocal...

Commissioned for the 2002 World Choral Symposium, May Sky is based on haiku written by Japanese and Japanese-American detainees in camps in the American West.

LM-7: Aquarius was the seventh lunar module that NASA sent into space, on teh Apollo 13 mission. The piece is in eleven continuous sections, the proportions of which are derived from the ten letters a...

This folksong was originally arranged for unison choir and piano accompaniment, and is great to feature in a general concert setting. Offprinted from Vaughan Williams for Choirs 2.

For mixed choir, two flutes, and harp or piano. A gentle arrangement of the well-known Irish tune and Henry Baker text in which solo lines and expressive harmonies combine to create a delicate and ver...

A rumbustious setting of an anonymous medieval text, this carol celebrates Christ's birth in an indomitably joyful fashion and provides an ideal and uplifting finale for any carol concert.

This motet was first performed at the dedication of the Battle of Britain Chapel in Westminster Abbey, London, and has an accordingly sombre tone.

Commissioned by Sonoro for the second instalment of their Choral Inspirations project, McDowall has composed Crucifixus Re-imagined as a response to Lotti's Crucifixus from Credo in F.

Flowing and expressive, this is one of Vaughan Williams's most popular and beautiful motets.

This joyful new setting of the traditional English words combines dancing cross-rhythms, exuberant melodic writing, and a sparkling organ part. Guaranteed to put a smile on the faces of audiences and...

First published in New Oxford Easy Anthem Book, this triumphant anthem features a supportive organ accompaniment and a prominent soprano melody that leads to a celebratory finish. Suitable for ascensi...

Originally published in Epiphany to All Saints for Choirs, the charming melodies in this anthem for Trinity Sunday is enriched by varying textures and an energetic organ accompaniment.

A popular setting for double choir and organ/brass, in a clear and authoritative edition.

From the collection Epiphany to All Saints for Choirs, this prayer for the feast of the Presentation of Christ in the Temple is in the style of plainsong and features a flexible time signature.

Setting a text by Elizabeth Barratt Browning, this thoughtful and evocative piece compares a dying relationship with the changing of the seasons from summer to winter. Also available in versions for s...

Not no faceless Angel is a beautifully reflective work. Originally commissioned by Joy Hill and the RCM Junior Department, the work is a sensitive setting of words by Tanya Lake. The themes of loss an...