Oxford University Press Noten

Garland demonstrates the composer's typically thoughtful approach to form and melodic material, the title of this work reflecting the circularity of both.

These three pieces serve as companion pieces to Reminiscence (2001) and Beguine (2002). Flight of Fancy takes its cue from Beguine; A Piece of the Action has the pace and character of a relaxed march;...

This is based on the opening bars of the Sarabande from Bach's second cello suite in D minor. 'Par la bande' means 'in a roundabout way' and suggests a circularity of form and a less than direct appro...

The opening movement of this five-movement work features the oboe, being a setting of a solo piece written by the composer in memory of Barbara Hepworth. The second is a lyrical canon for oboe, clarin...

Random Girl is a short, lyrical piece highlighting the melodic aspect of the vibraphone which engages in sinuous dialogue with the oboe.

The words are by Kamala Das who was born in Malabar in 1934 and is one of India's most distinguished poets. The setting evokes the suppleness and richness of Indian music.

In this unaccompanied setting of Thomas A. Clark's poem, Jackson beautifully conjures up the atmosphere of the onset of nightfall. Featuring a wide range of rhythms, textures, and dynamics, this is a...

Wilberg arranged this familiar hymn for the funeral of US President Gerald Ford. The first two verses are set for unison voices (men on verse one, women on verse two). The final verse is a setting for...

Written to commemorate the 500th anniversary of the death of the Foundress of St John's College, Cambridge, this celebratory setting is jubilant, melodic, and full of lively figuration for both the ch...

Vista is the first in a planned sequence of pieces, all to include piano. The sequence will form a musical reflection or interpretation of aspects of Italian renaissance and baroque gardens, typically...

Sensing was written partly as a 'prelude' to Scriabin's 9th Piano Sonata ('Black Mass'). In tribute to Scriabin the music explores a variety of keyboard 'touch' and 'colour/taste', in terms of harmony...

A one movement work in three sections for clarinet, violin, and piano. The title refers to the use of both jazz and boogie slang and twentieth-century 'new music' slang throughout the composition.

A celebration of orchestral strings in three strongly contrasting movements.

This is a setting of two twelfth-century poems where the choral parts flow in a chant-like way, interrupted by ecstatic bursts, sometimes of purely instrumental colour. Both the singer and the audienc...

Blue Third Pieces, for flute or B flat clarinet and guitar is a homage to the interval of the third and its place in the blues.Including references to Ray Charles and using samples from Dizzy Gillespi...

Larsen's fantasia on the familiar hymn-tune boasts richly atmospheric organ writing and is well-suited to weddings or services focussing on fellowship or reconciliation.

Larsen's flowing meditation on the 'Veni creator' tune was written as the Pentecost entry for a multi-composer anthology based on the liturgical year. It was given one of the highest rankings in a sur...

Larsen writes, '. . . I have loosely transcribed bell patterns from a field recording of Russian bells . . . the Communist persecution of the Russian Orthodox Church included the removal and destructi...

Black Birds, Red Hills is inspired by six Georgia O'Keeffe paintings, each exploring the flow of time and colour on her beloved red hills of New Mexico. This reflective portrayal is set in four moveme...

A piece about how auctioneersâ styles, pitches, timing, and complex rhythms merge to become what is their own âbid callâ.

Larsen states that she chose the instruments for Firebrand for their colour, combination and for their agility. However, rather than a nonstop, wildly virtuosic affair that might be suggested from the...

Song of Solomon 2:3,4

A setting of the Archbishop Rowan Williams' text 'Advent Calendar' for choir and organ.

This joyful and vibrant carol will delight youth and adult choirs alike. The strong unison opening, with a pealing bell-like accompaniment, builds to a climactic two-part canon, brilliantly capturing...

Setting text recorded in an early fourteenth-century Cambridge manuscript, this work presents evocative solo passages above sustained notes, and rich multi-layered canon-like passages in the upper voi...