Oxford University Press

Pop Goes the Cello is a dynamic set of ten original pieces suitable for intermediate players, featuring styles such as pop, rock, and Latin. These characterful vignettes are well suited to concert per...

Sanctum" ist eine fesselnde Vertonung des Requiem-Textes in vier Sätzen, inspiriert von der Landschaft der kanadischen Westküste. Jeder Satz stellt einen Aspekt von Vancouver Island dar (das Wasser, d...

This compelling a cappella setting of Henry Van Dyke's poem has a continual sense of motion, created by the 7/8 metre and scat singing style that is passed around the parts. A powerful and uplifting a...

'TaReKiTa' is a refreshing concert piece that effortlessly blends the Indian and Western classical styles. The composer's scats are combined with a fast triple metre, vocal slides, and captivating mel...

For upper voices (SSA), unaccompanied. An exuberant song of rejoicing at the dawn, with a catchy, toe-tapping refrain of 'Cry jubilee'.

In this compelling motet for the Feast of the Holy Trinity, Handl artfully embodies symbolism of the Trinity within the motet's structure. The three verses surrounded by a refrain of 'O beata Trinitas...

A mystical, atmospheric Epiphany carol, The Wise Men and the Star sets a text by Lucia Quinault depicting the journey of the wise men. Tarney's appealing musical language creates a sense of expectancy...

For SATB unaccompanied. This short, eloquent Benediction sets words from St Patrick's Breastplate (5th century). Also available in John Rutter Anthems.

Displaying Chydenius's unique style, I am the great sun is a driven and focused setting of Charles Causley's poem. This is textured choral writing: you'll find imitative passages, melodic and rhythmic...

Chilcott's Into God's Call is a tender setting of an Elizabeth Jennings poem. Melodically simple and rewarding, this piece is a straightforward introduction into double choir repertoire.

This setting was commissioned by the BBC Singers and premiered in April 2012. The text recounts the destruction of the ancient city of Jerusalem by King Nebuchadnezzar in 586 BC.

Setting a text spoken by Nurse Edith Cavell on the eve of her execution in 1915 and re-fashioned by the poet Sean Street, McDowall has created a work of haunting beauty. It is equally suitable for fun...

'Thou, my love, art fair' komponierte Bob Chilcott für die King's Singers über das Gedicht 'Christ to his spouse' von William Baldwin. Das reizend-effektvolle Chorlied mit bezaubernden Harmonien und v...

Setting a well-known poem by Percy Shelley, Love's Philosophy is a sweet and tender choral song reflecting on the idea of love with reference to nature and the interdependent relationships evident in...

For SSAATB unaccompanied.

This simple, well-crafted motet is bright, optimistic, and compelling. Skempton employs artful homophony and sensitive word-setting, and the repetitions of the opening refrain build towards an effecti...

Skempton's setting of the Preces and Responses is simple, well-crafted, and harmonically rewarding, and is perfect for choirs seeking new material for the liturgy.

This piece sets a joyful text celebrating the beauty found all around us. Characterized by tight harmonies and a dynamic hand drum line, the buoyant 7/8 metre drives the piece forward. Lush harmonies...

Evocative and moving polyphony paired with a text meditating man's relationship with God.

Rejoice in the Lord ist eine schnelle, festliche und freudige Vertonung von Psalm 33. Nach einem überschwänglichen Beginn führt eine lebhafte Orgelpassage zu einem schönen Moment der Stille im unbegle...

Offprinted from the collection "Sprituals for Choirs".

Offprinted from the collection "Spirituals for Choirs".

The Parting Glass is a traditional Scottish song, often sung as a farewell at the end of a get-together. Sarah Quartel's arrangement features close harmonies, idiomatic Scotch snap rhythms, and effect...

Dieses sanft fließende, kontemplative geistliche Chorwerk vertont Worte aus Jesaja 26 und Psalm 73, die Dankbarkeit für Gottes Schutz und Führung ausdrücken. McGlade fügt eine kurze Passage ein, die v...